Title | THE BEATLES |
Brand | MAGNUM PHOTOS FUND |
Product / Service | PHOTO LIBRARY |
Category | A09. Sound Design |
Entrant | TBWA\SINGAPORE, SINGAPORE |
Idea Creation | TBWA\SINGAPORE, SINGAPORE |
Production | SONG ZU SINGAPORE Singapore, SINGAPORE |
Production 2 | AIRBAG PRODUCTIONS Melbourne, AUSTRALIA |
Name | Company | Position |
---|---|---|
Gary Steele | TBWA\Singapore | Executive Creative Director |
John Sheterline | TBWA\Singapore | Senior Writer |
Haydn Evans | SixToes.TV | Executive Producer |
Sariyanti Sannie | SixToes.TV | Producer |
Gerard Fitzgerald | SongZu Singapore | Audio Producer |
Ian Lew | SongZu Singapore | Audio Producer |
Lindsay Jehan | SongZu Singapore | Music/Sound Designer |
Damian Waddell | SongZu Singapore | Sound Designer |
Steve Dannemmiller | SongZu Singapore | Sound Designer |
Nick Wright | Airbag | Director & Compositor |
Adrian Oostergetel | Airbag | VFX Lead & 3D Animation |
Luke Davies | Airbag | Assistant Compositor |
The film starts with the audience getting a brief glimpse of a famous Magnum photograph. The image then digitally deconstructs into millions of individual pixels as we begin our journey of the story behind the photograph. As we move deeper into each image, we see individual pixels coming together as they drift through space. Small photographic details become more obvious as the pixels start to reform. As this is happening, we can hear the photographer talking about how, when and where the photograph was taken. It’s as if we have taken a journey through the photographer’s mind to see how they approached their subject and all the circumstances that lead to the final famous image. As the photographer’s story finishes, the pixels all join together again and the finished photograph is revealed once more.