Title | KEVLAR COUTURE |
Brand | FOXTEL / ARENA CHANNEL |
Product / Service | ENTERTAINMENT |
Category | D03. Use of Branded Content created for Digital or Social Media |
Entrant | CLEMENGER BBDO SYDNEY, AUSTRALIA |
Idea Creation | CLEMENGER BBDO SYDNEY, AUSTRALIA |
Media Placement | FOXTEL Sydney, AUSTRALIA |
PR | CLEMENGER BBDO SYDNEY, AUSTRALIA |
PR 2 | FOXTEL Sydney, AUSTRALIA |
Production | CLEMENGER BBDO SYDNEY, AUSTRALIA |
Production 2 | FOXTEL Sydney, AUSTRALIA |
Production 3 | PAPER DRAGON Sydney, AUSTRALIA |
Name | Company | Position |
---|---|---|
Ben Coulson | Clemenger BBDO | Chief Creative Officer |
Paul Nagy | Clemenger BBDO | Executive Creative Director |
Emily Perrett | Clemenger BBDO | Managing Director |
Brendan Willenberg | Clemenger BBDO | Creative Director |
Ben Clare | Clemenger BBDO | Creative Director |
Simon Gibson | Clemenger BBDO | Senior Copywriter |
Dan White | Clemenger BBDO | Senior Art Director |
Josh Aitken | Clemenger BBDO | Senior Copywriter |
Simon Koay | Clemenger BBDO | Senior Art Director |
Daniel Mortensen | Clemenger BBDO Sydney | Head of Craft |
Holly Whiteley | Clemenger BBDO | Senior Account Manager |
Toby Clark | Clemenger BBDO | Planner |
Steve Tindall | Clemenger BBDO | Senior Producer |
Claire Bisset | Clemenger BBDO | Senior Producer |
Alex Guterres | Clemenger BBDO | Editor |
Jess Morgan | Clemenger BBDO | Online & grade |
Anthony Tiernan | Clemenger BBDO | Senior Sound Engineer |
Dan Jones | Dan Jones | Fashion Designer |
Steven Popovich | DLM | Photographer |
Ben McPhee | DLM | Photographer's Assistant |
Sam Couzens | Paper Dragon | Director |
Nicola Woolfrey | Paper Dragon | Executive Producer |
Borce Damćevski ACS | Paper Dragon | DOP |
Nathan Damćevski | Paper Dragon | First AC |
Sasha Mackie | Foxtel / Arena | Head of Marketing, Entertainment Channels |
Gina McGrath | Foxtel / Arena | Head of Marketing, Entertainment Channels |
Candice Clerici | Foxtel / Arena | Senior Marketing Exec, Entertainment |
Laura Stewart | Foxtel / Arena | Marketing Exec, Entertainment |
Carla Russo | Foxtel / Arena | Senior Digital Producer |
Tom Radcliff | Foxtel / Arena | Digital Producer/Videographer |
Through research, social listening and segmentation data, we knew that our target market were talking about and sharing, the drama of reality TV, the social kudos of knowing all the gossip of the latest show, and fashion. We created a product that was capable of protecting the bitchiest Real Housewives from each other. Kevlar Couture is a range of high fashion made to measure exclusively for the most confrontational Housewives in the history of the series. The collection had one unique feature – they were made from military-grade, backstab-proof Kevlar. Product integration was also key to our media strategy. The collection was worn by the Housewives across the show, media appearances, social media posts and GIFs. The gowns also featured in a series of films that tested the durability of the gowns against whatever these out of control Housewives could throw at each other.
A campaign of targeted of sponsored content was rolled out on Facebook, Instagram and Twitter. Each piece was crafted to channel in terms of length, format (16:9, vertical and square), subtitling, sound prompts, and edit style. An influencer strategy that employed the reach and genuine personality of the Real Housewives was used, as well as social and media influencers with fashion followings. This included both posts, tagging and a comment strategy. The campaign was supported by a host of snackable GIFs, Boomerangs and memes, that repackaged the content both for purpose and audience. This layer also helped with frequency of audience, without wearing out the more heavily sponsored video content.
The spike in media attention, social media buzz and fan discussion around Kevlar Couture helped give The Real Housewives of Sydney a mid season lift. This resulted in the show becoming Arena's most highly rated show of the season. The campaign also helped boost streaming/catch-up demand of the series by 8%, meaning this season became Arena's most streamed Real Housewives instalment to date. The Real Housewives of Sydney also became the most discussed show on social media in Australia for the month of the campaign. With Kevlar really becoming the new black.
For the last 25 years, Australian broadcaster Arena has promoted its shows with network promos. But with viewing audiences shrinking as people move towards streaming, Arena can no longer just rely on cutting promos and running them on their network. So for an important tentpole show like the first ever series of The Real Housewives of Sydney, Arena needed to have an idea that used media in a way they normally didn't. One that would use the appetite for drama on social media, to spread the word about the series, and get people and the media talking about it.
Increasingly, social media is where viewers find out about shows and come together to discuss the drama. Because viewers also now pick up shows later due to catch up streaming services, social media is the new water cooler. We needed an idea and a media strategy and implementation that would not just find the right audience on social media, but give the audience something extra to talk, tweet, tag and post about. The target market was reality TV, fashion & celebrity news obsessed women and men aged 18-45.