REVIVING A BEAUTIFUL LIFE
| Title | REVIVING A BEAUTIFUL LIFE |
| Brand | BEIERSDORF THAILAND |
| Product / Service | NIVEA CLEANSING WATER |
| Category | C02. Branded Content & Entertainment Film |
| Entrant | SOHO SQUARE BANGKOK, THAILAND |
| Idea Creation | SOHO SQUARE BANGKOK, THAILAND |
Credits
| Name | Company | Position |
|---|---|---|
| Boonasak Bunnahirun | OgilvyOne worldwide Ltd. | Executive Creative Director, Art Director |
| Nopadol Srikieatikajohn | Ogilvy & Mather, Thailand | Vice Chairman |
| Tiwat Nitchote | OgilvyOne worldwide Ltd. | Managing Director, Strategic Planner |
| Doungporn Chardtong | OgilvyOne worldwide Ltd. | Business Director |
| Thai Meesupwattana | OgilvyOne worldwide Ltd. | Account Manager |
| Worasit Sangsiri | OgilvyOne worldwide Ltd. | Project Manager |
| Tamon Boonyasinghanonda | OgilvyOne worldwide Ltd. | Head of consultant |
| Suparkorn Kansamread | OgilvyOne worldwide Ltd. | Senior art director |
| Warunyoo Sorasetsakoon | OgilvyOne worldwide Ltd. | Senior copy writer |
| Yaniga Lertpimonchai | OgilvyOne worldwide Ltd. | Copywriter |
| Chaiyawan Siripornpinyo | Dir4 | Director |
| Paramee Soontornwuttinun | Dir4 | co-producer |
| Purita Thepkomakorn | Dir4 | Executive Producer |
| Patcharin Kongboonwijit | Dir4 | Executive Producer |
| Taweesak Naksorn | Dir4 | Director of Photograhpy |
| Anupong Posuwan | Dir4 | Director of Photograhpy |
| Ornticha Laehsalee | Dir4 | Director of Photograhpy |
| Chaowalit Thongkam | Dir4 | Editor |
| Doolyakorn Kamonsathianrat | Yggdrazil | Online Artist |
| Manorom Hamichart | Temsiang | Sound Engineer |
Brief Explanation
Women wear makeup for different reasons. For many, it’s just to look beautiful, but for some, makeup is about survival. This is a true story of a young girl named Mhew. She, like most Likay performers, comes from an impoverished background and started working at the age of 9 because of a simple desire to return her mom’s love for her. This documentary-style film brings light to the poor lives of Likay performers behind the stage and reveals the struggles of poverty and a mother’s powerless anguish towards her daughter’s lost youth – all disguised as a story about makeup.