Title | UNFORTUNATE TALES OF A TREELESS WORLD (BOOTHS) |
Brand | MALAYSIAN NATURE SOCIETY |
Product / Service | MALAYSIAN NATURE SOCIETY/NGO |
Category | D04. Installation & Environment |
Entrant | Y&R MALAYSIA Kuala Lumpur, MALAYSIA |
Idea Creation | Y&R MALAYSIA Kuala Lumpur, MALAYSIA |
Name | Company | Position |
---|---|---|
Gigi Lee | Y&R Malaysia | Executive Creative Director |
Emir Shafri | Y&R Malaysia | Creative Director |
Joshua Tay | Y&R Malaysia | Creative Director |
Robert Aw | Y&R Malaysia | Agency Producer |
Hoffset Printing | - | Printer |
Shireen Ang, How Wei Zhong | Y&R Malaysia | Art Director |
Lai Wai Yeap, Sylvia Teoh | Y&R Malaysia | Art Director |
Cassie Ng, Joshua Tay, Gigi Lee | Y&R Malaysia | Art Director |
Azeril Johari, Claira Chan | Y&R Malaysia | Copywriter |
Emir Shafri, Jonn Dogra | Y&R Malaysia | Copywriter |
Shireen Ang, How Wei Zhong | Y&R Malaysia | Designer |
Lai Wai Yeap, Sylvia Teoh | Y&R Malaysia | Designer |
Cassie Ng, Aaron Tan | Y&R Malaysia | Designer |
Eric Tee, How Wei Zhong | Y&R Malaysia | Illustrator |
Yew Jun Ken, Lim Ling Li | Y&R Malaysia | Illustrator |
Shireen Ang, How Wei Zhong | Y&R Malaysia | Typographer |
Lai Wai Yeap, Sylvia Teoh, Cassie Ng | Y&R Malaysia | Typographer |
Wizard Photography | - | Photographer |
Eliza Wong | Y&R Malaysia | Account Supervisor |
TL Tan, Louie Hoo | Y&R Malaysia | Art Buyer |
Directors Think Tank | - | Production House |
Postmotion Studio | - | Post House |
Huram Art & Design, Lai Wai Yeap, Sylvia Teoh, Neo Yae-Ber | Y&R Malaysia | Prop Maker |
Chu Khong Liang, Muhd Thaqif, Chan Wai Guan, Asher Lim, Tay Jia Yun, Ezra Quek Xian Huat | Y&R Malaysia | Prop Maker |
I. S. Shanmugaraj | Malaysian Nature Society | Executive Director |
Two AM Music Studios | - | Audio House |
Alison Yong, Wira Chon | Two AM Music Studios | Producer |
Anton Morgan, Bo Amir Iqram, Adriane Palikat | Two AM Music Studios | Composer |
Kitcheren Lee, Leong Kit Kuan | Two AM Music Studios | Sound Engineer |
We chose to use what all Malaysians are familiar with – classic fairy tales – and reimagined them in a world without trees to show how deforestation can ruin these stories and ours. These tales served as a conversation starter to show how deforestation can ruin these stories, as well as ours. We brought these stories to life through our mobile mechanised booths, which together with the rest of our campaign, drove to the microsite. Once there, people could dive into each tale further and learn about how deforestation affects us, as well as take action by donating, signing up as a member, sharing our message and buying notebooks and CDs inspired by our unfortunate tales, which also contributed to MNS’ funds.
We built our reimagined “unfortunate tales” by hand in 3D using mixed media. Whenever possible, we used reclaimed wood, metal, cloth and other repurposed items, in keeping with our theme. These sets were built into a booth with moving gears. At a touch of a button, our stories came to life with the mechanical action of the gears, as well as specially composed music timed to the movements. Copy embedded on the sets within each booth talked about how just like deforestation is ruining our fairy tales, it is also ruining our land in the real world. People were then encouraged to visit the website, where they could take action by donating, signing up as a member, sharing our message and buying notebooks and CDs inspired by our unfortunate tales, which also contributed to MNS’ funds.
As the campaign was recently launched, we’re still collecting the results, but so far the response has been encouraging. Both young and old responded positively to our campaign. In just a few days, 22,000 were exposed to our tales on our mobile mechanised booths displayed at our roadshow. The booths played a key role in our campaign’s success, which helped increase deforestation awareness by 48%, and raised over RM45,000 within the first week of launch. More importantly, Malaysians were encouraged to join MNS in its quest to rewrite nature’s unfortunate tale in the real world.
By using classic fairy tales, we instantly make our message relevant to the majority of Malaysians, as ages from 8 to 80 are familiar with these tales. Our campaign needed to have wide reach, and to do this we showcased our booths at a top mall in Malaysia’s capital city. The booths were supported by posters, print ads, notebooks, and a soundtrack. All of which drove the public to our microsite, which encouraged sign ups as an MNS member, donations, sharing of our stories across social media, and purchase of our notebooks and CDs.