Title | INDEED:THE MOST WANTED JOB IN JAPAN |
Brand | INDEED IRELAND OPERATIONS LTD. |
Product / Service | INDEED |
Category | F01. Integrated Campaign led by Brand Experience & Activation |
Entrant | DENTSU INC. Tokyo, JAPAN |
Idea Creation | DENTSU INC. Tokyo, JAPAN |
PR | SUNNY SIDE UP Tokyo, JAPAN |
Production | DENTSU CREATIVE X INC. Tokyo, JAPAN |
Production 2 | DENTSU TEC Tokyo, JAPAN |
Production 3 | CLIVER Tokyo, JAPAN |
Name | Company | Position |
---|---|---|
Hidetaka Nakamura | DENTSU INC. | Creative Director |
Ryuta Kimura | DENTSU INC. | Planner / Copy Writter |
Iichiro Tanaka | DENTSU INC. | Planner / Art Director |
Takuya Fujita | DENTSU INC. | Digital Planner |
Yusuke Kondo | DENTSU INC. | Planner |
Takumi Ichikawa | DENTSU INC. | Planner |
Nobuaki Kubo | DENTSU INC. | Integrated MarketingProducer/Account Lead |
Keiichi Misono | DENTSU INC. | Integrated MarketingProducer |
Takuro Nemoto | DENTSU INC. | Account Lead |
Momoko Yatabe | DENTSU INC. | Connection DesignProducer |
Sumiyoshi Kosugi | DENTSU INC. | Contents Producer |
Nobuhiro Haginaka | DENTU CREATIVE FORCE INC. | Creative Producer |
Mizuki Nakatani | DENTU CREATIVE FORCE INC. | Creative Producer |
Takuji Okamoto | DENTSU CREATIVE X INC. | Producer |
Wataru Odakura | DENTSU CREATIVE X INC. | Producer |
Kouya Tamesue | DENTSU CREATIVE X INC. | Production Manager |
Kiyonari Oshida | DENTSU CREATIVE X INC. | Production Manager |
Mari Sasaki | DENTSU CREATIVE X INC. | Production Manager |
Satoshi Kuno | CLIVER inc. | Planner |
Yutarou Shimizu | SUNNY SIDE UP Inc. | PR Director |
Yukinari Shibata | DENTSU TEC INC. | Event Producer |
Hideki Kuroda | Kuroda Hideki Office | Director |
Naoki Imoto | Kuroda Hideki Office | Photographer |
Shinichi Miyaki | Freelance | Lighting Director |
Shunichiro Syoda | HATAART | Art Director |
Shinichi Mita | KiKi.inc | Stylist |
Tomita Satou | Ota Office | Hair makeup |
Go Mizushima | Indeed | Marketing Director |
Hiroki Sato | Indeed | Brand Manager |
Yosuke Tsurumi | Indeed | Digital Promotion Planner: |
Indeed created a job that became the number one search word for jobs in 2019. It was a dream job allowing people to experience the world of One Piece, the top manga in the world. One job advertisement was expanded into different media executions such as a high-quality real-life commercial. It showed that a search engine was able to create a dream-like experience. It also conveyed the brand ideal of “Bringing happiness to job searching.”
Indeed was having a hard time reaching the number one spot in japan. People only visit job searching sites when they look for new jobs, so it`s inevitable that getting new trial members is difficult. Japan in particular has a negative perception regarding changing jobs, and the practice isn’t common. In order to get more people to try out Indeed’s easy-to-use interface and service, which are the company’s strengths, Indeed needed both those who are looking for new jobs and those who aren’t to try the service as well.
Just one job advertisement was enough to beat competitors. The advertisement was a dream job, a complete recreation of the world of One Piece, the number one manga that sold over four hundred million copies around the world. It was the first adoption of this mega-content. Projects were created based on surveys of fans; an extra based on a newspaper in the original comic book, high-quality real-life commercials, and events recreating the comic book world using innovative technology. The objective was to boost the excitement of fans, apply for the dream job together and make everyone’s dream come true.
We focused on the potential targets that tend to overlook job search services: people who do not intend to change jobs immediately. There is a preconception that job search services are only necessary when looking for a new job. With this preconception, each agency only targeted people who had strong intent to switch jobs. Indeed used manga contents that at first glance seem unrelated to changing jobs, and created a strong link between its services and the manga’s story to create a new experience. By doing this, they included potential targets and turned the ranking around by letting those people know the quality of their service.
The campaign started on January 1, 2019. The job advertisement was announced. The world’s first real-life commercial of One Piece was released even before Hollywood could attempt it. Forty thousand copies of the extra, a recreation of the newspaper in the original comic book, were distributed via guerrilla marketing at 20 places nationwide. Many elements were hidden that were difficult for even the most serious fans to spot, which led to the continued buzz on social media. The jobs, which had actual applications, were publically released and implemented as events to gain even more press. By using scenes from this to create a commercial, awareness of the campaign increased. Images of users applying for the job were also spread as commercials.
・Became number one in recognition among competing services. ・User intent rose to 1.5 times that of competitors. ・User intent of company rose to 167% ・More than 380 thousand people applied for one job offer. ・Appeared in 2080 news articles in three months. ・Media exposure value equals 820 million yen.