Grand Prix

Case Film

Presentation Image

Product / ServiceUBER EATS
CategoryD01. Use of Brand or Product Integration into a Programme or Platform
Media Placement MEDIACOM Sydney, AUSTRALIA
Additional Company TENNIS AUSTRALIA Melbourne, AUSTRALIA
Additional Company 2 CHANNEL 9 Sydney, AUSTRALIA


Name Company Position
Julian Schreiber Special Group Executive Creative Director
Tom Martin Special Group Executive Creative Director
Nick Cole Special Group Copywriter
Pat Alenby Special Group Art Director
The Glue Society The Glue Society Director
Will Sealey Special Group Account Manager
Tori Lopez Special Group Business Lead
Lachlan Stewart Special Group Social Creative

Why is this work relevant for Media?

This campaign set out to achieve a never-before-seen level of product and brand integration to hijack the coverage of a live sporting event. It was only possible by harnessing a unique combination of both an on-the-ground event sponsorship and broadcast sponsorship of the Australian Open tennis tournament. We had to use the crew, courts, players, staff, tv assets and every other part of the real event coverage combined with nimble live media placement. A huge task, but the result made a brand that would normally be cluttered in with other event sponsor completely stand out - by perfectly blending in.


Australia literally stops to watch the tennis. And while lots of people swarm to Melbourne to attend the on-ground event. The real event happens on TV in people’s living rooms. With families, groups of friends and work colleagues gathering around the TV every night to watch the tennis, comes the battle ground for food delivery services. After-all, two weeks of non-stop tennis leaves little time for cooking! And with Uber Eats decision to sponsor the Australian Open, we wanted to use this iconic event to firmly stake a claim as category leader, normalise and build memory structure between the event and food delivery. And ultimately elevate Uber Eats into a truly iconic, culture-shaping brand. And we had a bold ambition cut through the clutter of generic tennis themed promotion and captured the attention of Australians in a way that was ownable.

Describe the creative idea/insights (30% of vote)

Our idea was to achieve a world-first level of broadcast/event sponsor integration. We set out to make people watching the Australian Open broadcast, utterly believe they were returning to the tennis after an ad break, only to have it suddenly turn into a dinner order for UberEats. We didn’t set out to make our films feel similar to the tennis, but absolutely identical. Each spot begun seemingly returning to the exact tennis match people are watching. Not just generic tennis, but the actual match. With no warning, it then transforms into the player, camera man, umpire or audience member announcing their dinner order on Uber eats. And in the end, our integration of 14 different films into the Tennis was so seamless - viewers wondered if at any time the Aus Open would become an Uber Eats ad. In other words, we stood out by perfectly blending in.

Describe the strategy (20% of vote)

Our target audience were major cities in metro areas, where Uber Eats is abundantly available. Our target time was the dinner occasion, the prime growth moment for people to try Uber Eats. But why the Australian Open? Australia quite literally stops to watch the tennis, particularly during the big tennis stars matches played at night. It crosses all viewing demographics, appealing well beyond the traditionally phone/app centric age group more naturally comfortable with the Uber Eats online ordering platform. We also knew a live media placements with its lack of a conventional ‘repetitive appearance rhythm’ that traditional sponsor ads have would be constantly disruptive, prevent wear out and gain constant attention. The uniqueness of this premium sporting property’s short-but-ultra-intense 2 week duration gave us the opportunity to do something at a large scale, fast. We were looking for high impact, not a traditional drawn out sponsorship.

Describe the execution (20% of vote)

Never before had Tennis Australia (the event management) allowed a brand to use the actual tournament broadcast crew, cameras, officials and commentators, or to shoot on court. Never before had an Australian TV-Network had to deliver real-time, live ad placement in a live sporting telecast (with a constantly changing player appearance schedule due to wins and losses!) only at the end of ad breaks, only during games the actual players in the ads were playing in. Never before had a brand gained access to the tournament broadcast graphics, or featured other sponsors logos so heavily. We negotiated and attempted to use everything exactly the same as the real broadcast in order for our films to appear identical. We broke rules of media, marketing and sponsorships - accessing assets, the court, the players during the tournament and doing real time placement of ads; all blurring line between broadcast and advertising.

List the results (30% of vote)

The campaign proved a huge success garnering both national and international media attention with such headlines as being declared “A modern take on product placement” and “Tennis ad a game changer” as well as it being announced that the “Australian Open hijacked by ads posing as a game” and finally “Game. Set. Match,. Uber Eats”. For impact results please refer to the confidential information section as the Uber has requested this remain undisclosed to the public. Please see confidential information.


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