Title | PERU, THE GREAT NATION OF THE UNEXPECTED |
Brand | PROMPERU |
Product / Service | VISIT PERU |
Category | A02. Fiction & Non-Fiction Film: 5-30 minutes |
Entrant | ENJIN Tokyo, JAPAN |
Idea Creation | ENJIN Tokyo, JAPAN |
Production | ENJIN Tokyo, JAPAN |
Name | Company | Position |
---|---|---|
Mitsuhito Sato | ENJIN TOKYO | Creative Director+Copy Writer+Producer |
Shunsuke Nakamura | ENJIN TOKYO | Planner+Copy Writer |
Yuriko Ban | ENJIN TOKYO | AE+Producer |
Benn TK | Freelance | Director+DoP+Editor (feat. kohki) |
kohki - | Freelance | Cast (feat. kohki) |
Howard Furuta | kirameki Inc. | Director+DoP+Editor (feat. Yurie Akutsu) |
Yurie Akutsu | Gunn's | Cast (feat. Yurie Akutsu) |
Erik Reiff | audioforce | Music Producer |
Kenny Dalls | audioforce | Music Producer |
Daniel Müller | audioforce | Composer(feat. kohki) |
Nelson Piccin | audioforce | Composer(feat. kohki) |
Chris O’Neil | audioforce | Composer(feat. Yurie Akutsu) |
RJ - | audioforce | Composer(feat. Yurie Akutsu) |
Luis Arturo Camacho Caldas | Drone Films Project | Drone |
Iván Thibaud | Drone Films Project | Drone |
Taisuke Seki | euphoria factory | Casting Director |
Natsuki Nakayama | Gunn's | Cast Booker |
Mariko Nozaki | NOVAJIKA | Production Manager |
Jordi Juste | NOVAJIKA | Production Manager |
Ken Shimizu | LATINO | Coordinator |
Danny Cordova | MICKEY TOUR | Coordinator |
Oscar Zacarias | MICKEY TOUR | Coordinator |
Jimmy Ponce | MICKEY TOUR | Coordinator |
Rie Kurahashi | MICKEY TOUR | Coordinator |
Kazushige Takebayashi | SHA inc. | Art Director |
Natsuki Isa | SHA inc. | Designer |
Ryuya Suzuki | Step | MA Producer |
Hisashi Kumagai | Step | Mix |
Akiko Aoyama | TTR / PPC | Composite |
Ashita Iju | AUR Inc. | Consultant |
Miyabi Ishida | AUR Inc. | Consultant |
The content presents the attractions of Peru in an engaging way that appeals to targeted Japanese millennials rather than following the typical promotion of tourism bureaus. To make the content more authentic, we had two influencers (one male and one female) with plenty of followers visit photogenic locations in Peru that are preferred by the target and post photos on Instagram. Then we made road movies from the travel footage, containing music liked by the target, and posted them online where targeted millennials could be reached.
Few Japanese are familiar with Peru's many scenic spots and attractions, apart from Machu Picchu. Many Japanese also consider South America to be on "the other side of the world" and vaguely see Peru as being expensive and troublesome to visit. So relatively few Japanese travel there and conventional travel promotion is not very effective. Our aim was to increase travel to Peru by showing millennials its attractions and letting them know that Peru can be enjoyed on relatively short trips.
Today's information overload made it essential to produce content targeted millennials would seek, because their generation simply ignores content that sounds like a sales pitch. So we had influencers popular with millennials travel throughout Peru in a convincing manner the target could relate to. The movie of the male influencer has a music video style with clever, fast-paced editing and music that conveys the excitement of the journey. The movie of the female influencer is more like a human drama with narration reminiscing about her life and more subtle sound design. To capture the attention of diverse millennials, we launched the two contrasting movies at the same time.
Our strategy was to increase travel to Peru by making people think of Peru as the next country they want to visit, rather than a country they want to visit someday. Toward this end, we created two travel movies with different styles but the same "Peru, the Great Nation of the Unexpected" concept. Each movie stars a different influencer taking the same journey, with styles edited for a sharp contrast to attract a wider range of Japanese millennials. Staying true to the "A week in Peru stays with you forever." message that assures Japanese they can enjoy Peru on a relatively short trip, we only covered locations that could be visited in one week.
While traveling in Peru, the influencers posted photos on their own Instagram pages. Later we created the travel movies and launched them online, especially on social media frequented by our targets: Facebook, Instagram, Twitter and most of all PROMPERU’s YouTube channel. When the movies went online, the influencers posted their movies on their Instagram pages at the same time.
Within a month of their release, the movies earned over 2,200K plays and 4.5K engagements on social media. They were also widely covered by the media and the subject of 46 articles. It should be noted that the YouTube Video Completion Rate for both of these 3-minute-long movies exceeded 50%. These results suggest our movies won the hearts of targeted viewers.