| Title | HELP. IT'S WHAT AUSTRALIANS DO |
| Brand | WESTPAC |
| Product / Service | WESTPAC |
| Category | A11. Visual Effects |
| Entrant | ALT.VFX Brisbane, AUSTRALIA |
| Idea Creation | DDB SYDNEY, AUSTRALIA |
| Media Placement | DDB SYDNEY, AUSTRALIA |
| Production | ALT.VFX Brisbane, AUSTRALIA |
| Production 2 | DDB SYDNEY, AUSTRALIA |
| Production 3 | EXIT FILMS Sydney, AUSTRALIA |
| Additional Company | THE BUTCHERY Sydney, AUSTRALIA |
| Name | Company | Position |
|---|---|---|
| Colin Renshaw | Alt.vfx | VFX Supervisor |
| Mark Molloy | EXIT Films | Director |
| Ben Welsh | DDB Sydney | Chief Creative Officer |
| Tara Ford | DDB Sydney | Executive Creative Director |
| Sevda Cemo | DDB Sydney | Head of Integrated Content |
| Libby Spark | DDB Sydney | Post Production Co-Ordinator |
| Noah Regan, | DDB Sydney | Head of Art |
| Jason Woelfl | DDB Sydney | Art Director |
| Dave King | DDB Sydney | Copywriter |
| JJ Winlove | DDB Sydney | Art Director |
| Leah Churchill Brown | EXIT Films | Executive Producer |
| Karen Sproul | EXIT Films | Producer |
| Steven Jones Evans | EXIT Films | Production Designer |
| Cappi Ireland | EXIT Films | Costume Designer |
| Adam Arkapaw | EXIT Films | Cinematographer |
| Jack Hutchings | The Butchery | Editor |
| Tyrone Estephan | Alt.vfx | Executive Producer |
| Matthew Chance | Alt.vfx | Head of 2D |
| Matt Chandler | DDB Sydney | Creative Partner |
| Paul Jansen | DDB Sydney | Senior Designer |
| Phillipa Smith | DDB Sydney | Production and Post Assistant |
| Aleks Manou | DDB Sydney | Motion Graphics Designer |
| Richard Maxton | DDB Sydney | Content Creator |
| Cushla Morton | DDB Sydney | Senior Print Producer |
| Fran Clayton | DDB Sydney | Chief Strategy Officer |
| Dom Hickey | DDB Sydney | Group Business Director |
| Joseph Smeaton | DDB Sydney | Planning Director |
| Chiquita King | DDB Sydney | Managing Partner |
| Topher Jones | DDB Sydney | Group Business Director |
| Rebecca Grant | DDB Sydney | Senior Business Manager |
| Tim Lunken | DDB Sydney | Senior Project Manager |
| Simon Lister | NYLON Studios | Sound Engineer |
| Karl Richter | Level Two Music | Music Supervision/ Composition |
| Andreas Smetana | Flint | Photographer |
| Rachel Rider | Flint | Producer - Photography |
| Martine Jager | Westpac | Chief Marketing Officer |
| Jenny Melhuish | Westpac | Head of Group Brands, Advertising & Media |
| Adrian McCaffrey | Westpac | Digital, Marketing, & Customer Experience |
| Nicole Bardsley | Westpac | Head of Westpac Brand Strategy |
| Karissa Fletcher | Westpac | Acting Head of Westpac Brand Strategy |
| Andrew Howie | Westpac | Head of Westpac Advertising |
| Karina Brown | Westpac | Marketing Manager |
In this film, Australia's oldest bank, Westpac, captures the country's spirit of mateship by illustrating real-life moments of help from the past. We see people helping each other throughout two hundred years of Australian history - be it in moments big or small. Our journey through the past shows us that the spirit of mateship and the Australian character to help out has been there for a long time. One scene takes place during the construction of the Sydney Harbour Bridge, as a worker pulls his mate out of the way of a falling beam. And in another key scene a rescue helicopter, which is sponsored by Westpac bank, saves a young man from treacherous floodwaters. The film is scored with a cover of Bowie’s “Heroes”, as performed by Australian band, Gang of Youths.