| Title | DEAD WHALE |
| Brand | GREENPEACE PHILIPPINES |
| Product / Service | DEAD WHALE |
| Category | E03. Special Build |
| Entrant | DENTSU JAYME SYFU Makati City, THE PHILIPPINES |
| Idea Creation | DENTSU JAYME SYFU Makati City, THE PHILIPPINES |
| Media Placement | DENTSU X Makati, THE PHILIPPINES |
| PR | DENTSU X Makati, THE PHILIPPINES |
| Production | GREENROOM INC. Manila, THE PHILIPPINES |
| Name | Company | Position |
|---|---|---|
| Merlee Jayme | Dentsu Jayme Syfu | Chief Creative Officer |
| Biboy Royong | Dentsu Jayme Syfu | Creative Director |
| Soleil Badenhop | Dentsu Jayme Syfu | Digital Copywriter |
| Blane Rosales / Biboy Royong | Dentsu Jayme Syfu | Art Director |
| Biboy Royong | Dentsu Jayme Syfu | Designer |
| Julia Pronstroller-Gallardo | Dentsu Jayme Syfu | Business Unit Director |
| Tabbi Tomas | Dentsu Jayme Syfu | Social Media Manager |
| Sheila Villanueva | Dentsu Jayme Syfu | Print Production Coordinator |
| Butch Garcia | Etnikolor | Production |
| Reuben Hamahiga Dela Cruz | Photographer | Photographer |
| Jam de Guzman | Dentsu X | General Manager |
| Chinkey Llave | Dentsu X | Business Director |
| Paul Reyes | Dentsu X | Senior Media Manager |
| Bong Osorio | Dentsu Aegis Network | PR Consultant |
| Franny Omampo | Greenroom Inc. | Executive Producer |
| Lester Parulan | Slingshot Manila | Producer |
| JP Campos | Greenroom Inc. | Post Producer |
| Erin Hipolito/Jaymar Carinan/Berto Abenido | Greenroom Inc. | Editors/Artists |
| Adrian Tecson | Underground Logic | Managing Director |
| Paolo Morato | Underground Logic | Head of Creative Operations |
| Leslie Tan | Underground Logic | Senior Colorist |
| Wayne Dayauon | Underground Logic | 3D Artist/Animator/Generalist/VFX Supervisor |
| Glenn Mariano | HIT Productions | Audio Engineer |
| Teddy Katigbak | HIT Productions | Music Arranger |
The ‘Dead Whale’ perfectly resembled a beached blue whale—73-foot in length and realistic. It was mounted strategically on the shore, making it look like a real whale in size, weight and texture. The materials used were all plastic wastes collected from the ocean and its textures and colors were utilized to make the whale looked like it was in its decomposing stage, complete with sprawling innards and slimy surface. It was left on the shore for 3 days. Elements of the environment help made it even more real—beach waves, wind, and climate.