| Title | CEBIT 2017 OPENING CEREMONY | JAPAN SHOW ACT |
| Brand | JAPANESE GOVERNMENT |
| Product / Service | CEBIT 2017 |
| Category | E04. Live Advertising & Events |
| Entrant | DENTSU INC. Tokyo, JAPAN |
| Idea Creation | DENTSU INC. Tokyo, JAPAN |
| Production | DENTSU TEC Tokyo, JAPAN |
| Production 2 | RHIZOMATIKS Tokyo, JAPAN |
| Production 3 | DENTSU CREATIVE X INC. Tokyo, JAPAN |
| Name | Company | Position |
|---|---|---|
| Mirai Moriyama | Freelance | Perfomer |
| NON, Saya Shinohara, Erisa Wakisaka, Kaori Yasukawa | ELEVENPLAY | Perfomer |
| MIKIKO | ELEVENPLAY | Live Action Director, Choreographer |
| Kaoru Sugano | DENTSU INC. (Dentsu Lab Tokyo) | Creative Director |
| Sotaro Yasumochi | DENTSU INC. (Dentsu Lab Tokyo) | Copy Writer, Planner |
| Nadya Kirillova | DENTSU INC. (Dentsu Lab Tokyo) | Concept Supervisor |
| Hikaru Ikeuchi, Kohei Ai | DENTSU INC.DENTSU INC. (Dentsu Lab Tokyo), DENTSU TEC INC.DENTSU INC. (Dentsu Lab Tokyo) | Chief Creative Producer |
| Sakiko Yasue, Tomoka Sugai, Jun Kato | ELEVENPLAY, DENTSU INC., DENTSU INC. (Dentsu Lab Tokyo) | Creative Producer |
| Masafumi Fujioka | Dentsu Creative X | Producer |
| Ryotaro Omori, Wataru Kitamoto, Maho Takada | Dentsu Creative X, DENTSU TEC INC. | Production Manager |
| Daito Manabe | Rhizomatiks Research | Chief Technical Director, Programmer, Sound Designer, Record Producer (Performance Parts) |
| Motoi Ishibashi | Rhizomatiks Research | Chief Technical Director, Hardware Engineer |
| Yuya Hanai, Satoshi Horii, You Tanaka | Rhizomatiks Research | Director, Visual Programmer |
| Tomoaki Yanagisawa | Rhizomatiks Research | Interaction Designer, Hardware Engineer |
| Yuta Asai | Rhizomatiks Research | Circuit Designer, Device Developer |
| Toshitaka Mochizuki, Saki Ishikawa | Rhizomatiks Research | Hardware Designer, Hardware Engineer |
| Muryo Homma | Rhizomatiks Research | Videographer, Technical Support |
| Shintaro Kamijyo | Rhizomatiks Research | Stage Manager, Technical Support |
| Momoko Nishimoto | Rhizomatiks Research | Technical Support |
| Hidenori Chiba | Rhizomatiks Research | Technical Producer |
| ALVA NOTO “Carsten Nicolai aka Alva Noto”, Keigo Oyamada (Cornelius), evala, SEI | Freelance | Music |
| Hiromichi Ochiai, Toshihiko Sakurai | FACETASM, Freelance | Costume Design (Mirai Moriyama) |
| Yaepon | Freelance | Costume Design (ELEVENPLAY) |
| Yo Takano | Freelance | Stage Director |
| Yasuhiro Yamaguchi | Tech Nuts | System Director |
| Koichiro Tsujikawa | GLASSLOFT inc. | Movie Director |
| Yuri Uenishi | DENTSU inc. | Art Director |
| Yuri Yoshida | DENTSU inc. | Designer |
| Yoshifumi Sadahara | MARK inc. | CG Producer (Opening Movie) |
| Munechika Inudo | MARK inc. | CG Director (Opening Movie) |
The presentation as for "JAPAN" The 90-second opening movie symbolically portrayed a vision of a future where humanity and technology co-exist in the form of an encounter between a lone man and an imaginary interface. In the live performance, running approximately eight-and-a-half minutes, the physical expression of the performers was combined with productions created with assorted techniques and devices. The show visualized an intimate symbiosis between technology and humans.