Title | THE BOTTOM 100 |
Brand | FUND FOR PEACE |
Product / Service | COMBATING GLOBAL POVERTY |
Entrant | HAVAS AUSTRALIA Sydney, AUSTRALIA |
Idea Creation | HAVAS AUSTRALIA Sydney, AUSTRALIA |
Media Placement | HAVAS MEDIA AUSTRALIA Sydney, AUSTRALIA |
PR | RED AGENCY Sydney, AUSTRALIA |
Production | HAVAS AUSTRALIA Sydney, AUSTRALIA |
Production 2 | FINCH Sydney, AUSTRALIA |
Production 3 | CREAM STUDIOS Sydney, AUSTRALIA |
Additional Company | RED GUERILLA Sydney, AUSTRALIA |
Name | Company | Position |
---|---|---|
Stuart Turner, Seamus Higgins, Tim Green | Havas Sydney | Executive Creative Director |
Kevin Masters, Jeremy Vernon, Joe Ranallo | Havas Sydney | Copywriter |
Jeremy Hogg, Tom Twiby | Havas Sydney | Art Director |
Darren Cole | Havas Sydney | Head of Design |
Nic Adamovich | Havas Sydney | Senior Designer |
Alex Ball | Havas Sydney | Client Business Director |
Maggie De Goede | Havas Sydney | Account Manager |
Thea Clausen | Havas Sydney | Print Lead |
Alex Dale, Nina Troeger, Michael Macgregor, Dylan Reid, Serlina Wong, Michele Wo | Havas Sydney | Designer |
Jonathan Wilson, Pip Snelling | Havas Sydney | Senior Studio Artist |
Shannon Hochkins, Le Pradeep, Trevor Ko, Brendan Betheldo, Alec Pirillo | Havas Sydney | Developer (Front & Back) |
Mark McKissock, Katie Jamieson, Edwin Concubierta | Havas Sydney | Social Content |
Adam Shutler | Havas Sydney | Head of Experience |
Peter Segerer, Megan Evans | Havas Sydney | Digital Producer |
Yoann Bernex, Thao McAvoy, Matt Watson | Havas Sydney | Tech Lead / Director |
Brad Bevan | Havas Sydney | Tester |
Melanie Colwell | Havas Media | Trading Manager |
James Wright | Red Agency | CEO |
Adam Freedman | Red Agency | Head of Consumer |
Jackie Holt, Andrea Philips, Simone McKay | Red Agency | Account Management |
Sam Perry | Red Guerilla | Head of Production |
Kana Phung | Red Guerilla | Producer |
Beau Simmons | Havas Sydney | Editor |
Steve York | Cream Studios | Retoucher |
Janai Anselmi | Janai Anselmi Styling | Stylist |
J. J. Messner | The Fund for Peace | Executive Director |
The Fund for Peace Bottom 100 is a first of it's kind look at the other end of the world's rich lists - a collection of stories created to put a human face to the suffering of millions - to help personalise their struggles, and to engage those who have a voice, to use it for those who don’t.
Made over 2 years, covering 5 continents and 23 nationalities,100 powerful stories were captured by a global team of photographers and journalists. The global project was launched in Australia on World Refugee Day, with major press and influencers invited to an exhibition of these stories. The 100 personal accounts spread across the world, through earned social, PR, and negotiated free media, appearing in places they had never been seen before, from New York, to the Vatican, across TV, out of home, digital and printed media. Every channel was united by one purpose: to put a human face to the suffering of millions, and generate empathy, awareness, and action.
Within a week of launching The Bottom 100, we secured 100+ pieces of local coverage, across key targets including ABC News, SBS, Fairfax (SMH and The Age), HuffPost and AAP. Local media and social media reached an audience of 19 million+ (80% of the Aussie population). We captured the attention of flagship media titles around the world including NY Times, Vanity Fair, France 24, Humanosphere and amazingly the front cover of the highly influential Osservatore Romano – the daily newspaper of the Vatican. Global earned media reached a further 70 million+. Global PR Reach 90,000,000 Media impressions 40,369,000 - with $0 spend Doubled their annual social reach - in one month 540% increase in monthly engagement And most importantly, Funds For Peace now has an annual way to draw our attention to the faces and stories from the other end of the world’s rich list.
The Bottom 100 was created to tell the stories of those on the other end of the world’s rich lists, to put a human face to the millions displaced buy conflict and persecution. This campaign told these 100 stories around the world, engaging audiences through social, digital, out of home and printed media, events and PR. Every channel was united by one purpose: to put a human face to the suffering of the millions displaced by conflict and violence.
The target audience was two-fold: - Members of the public - Key stakeholders within Government, not-for-profit organisations focused on global issues such as terrorism, displacement and poverty, universities and other advocates for international social welfare initiatives. Faced with a target audience that have become numb to the plight of the world's poorest, who can't see the humans behind the headlines - our strategy was to create a way to cut through their apathy, to humanise and personalise their individual journeys and struggles. We believe that if people can relate on an individual level to a problem, they are more inclined to take action. The campaign was planned to launch through PR, generating global exposure through earned media. Our launch was timed to coincide with World Refugee Day (20th June) to give us a timely global hook for our story.