Title | TOKYO 2020 VIRTUAL ENCOURAGEMENT CEREMONY |
Brand | JAPANESE OLYMPIC COMMITTEE |
Product / Service | TEAM JAPAN |
Category | D05. Use of Technology |
Entrant | DENTSU INC. Tokyo, JAPAN |
Idea Creation | DENTSU INC. Tokyo, JAPAN |
Media Placement | DENTSU INC. Tokyo, JAPAN |
PR | DENTSU INC. Tokyo, JAPAN |
Production | DENTSU LIVE INC. Tokyo, JAPAN |
Production 2 | IMAGICA LAB Tokyo, JAPAN |
Production 3 | DENTSU CREATIVE X INC. Tokyo, JAPAN |
Production 4 | IMAGICA LAB Tokyo, JAPAN |
Post Production | MPLUSPLUS CO., LTD. Tokyo, JAPAN |
Post Production 2 | WATANABEJUNPEI SHA Tokyo, JAPAN |
Post Production 3 | BIRDMAN Tokyo, JAPAN |
Post Production 4 | ROBOT COMMUNICATIONS INC. Shibuya, JAPAN |
Post Production 5 | WAIWAILUA INC Tokyo, JAPAN |
Additional Company | DRAWIZ ,INC. Tokyo, JAPAN |
Additional Company 2 | BISHOP MUSIC CO., LTD. Tokyo, JAPAN |
Additional Company 3 | ADC INC. Tokyo, JAPAN |
Additional Company 4 | TRUNK INC. Tokyo, JAPAN |
Name | Company | Position |
---|---|---|
Atsushi Otaki | Dentsu Inc. | Creative Director |
Shinya Miura | Dentsu Inc. | Planner |
Naomi Okamura | Dentsu Inc. | Art Director |
Kosuke Takahashi | Dentsu Inc. | Planner |
Chiemi Manako | Dentsu Inc. | Copywriter |
Kazuya Miyata | Dentsu Inc. | Planner |
Shigeki Tomiyama | Dentsu Inc. | Account Director |
Tomoyasu Higuchi | Dentsu Inc. | Account Manager |
Shotaro Shimomoto | Dentsu Inc. | Account Manager |
Marie Hoshino | Dentsu Inc. | Account Manager |
Sekiko Yamaguchi | Dentsu Inc. | Account Manager |
Naoya Sano | Dentsu Inc. | Account Manager |
Shohei Maeda | Dentsu Inc. | PR Planner |
Takayuki Shindo | Dentsu Live Inc. | Producer |
Daisuke Hashimoto | Dentsu Live Inc. | Producer |
Haruka Mayuyama | Dentsu Live Inc. | Producer |
Nanami Iizuka | Dentsu Live Inc. | Producer |
Yoshiya Morinaga | Dentsu Live Inc. | Planning Director |
Junpei Watanabe | Watanabejunpeisha Inc. | Copywriter |
Shogo Kariya | WaiWaiLua, Inc. | Director |
Yosuke Suzuki | IMAGICA GROUP Inc. | Producer |
Haruyuki Moroishi | IMAGICA EEX Inc. | Producer |
Masasuke Hayakawa | IMAGICA EEX Inc. | Producer |
Norifumi Furuya | IMAGICA EEX Inc. | Creative Director |
Haruhisa Shinzaki | ROBOT Communications Inc. | Producer |
Takeshi Yoshihara | ROBOT Communications Inc. | Producer |
Ryoei Nakashima | ROBOT Communications Inc. | Line Producer |
Shintaro Ochi | ROBOT Communications Inc. | Production Manager |
Yohei Sako | TRUNK Inc. | Director |
Ryo Morita | FREE LANCE | Director |
Yu Ogura | ADC Inc. | Cinematographer |
Naoya Miyadai | drawiz ,inc. | CG DIRECTOR |
Taro Fujiwara | BISHOP MUSIC CO., LTD. | Sound Designer |
Ryotaro Omori | Dentsu Creative X Inc. | Film Producer |
Kei Sato | Dentsu Creative X Inc. | Web Director |
Shota Tanaka | Dentsu Creative X Inc. | Movie Director |
Junya Hoshikawa | Birdman Inc. | Art Director |
Kenichiro Tanaka | Birdman Inc. | Birdman Inc. |
Shudai Matsumoto | Birdman Inc. | Technical Director |
Shunpei Torii | Birdman Inc. | Developer |
Keita Tashiro | Birdman Inc. | Developer |
Ryota Asano | Birdman Inc. | Motion Designer |
Minoru Fujimoto | mplusplus Co., Ltd. | Lighting Choreographer |
Makiko Nakata | mplusplus Co., Ltd. | Coordinator |
Toshiki Yoshiike | mplusplus Co., Ltd. | Motion Designer |
Yuji Shirasu | mplusplus Co., Ltd. | Motion Designer |
Tatsuhiko Suzuki | mplusplus Co., Ltd. | Motion Designer |
Nana Fumiki | mplusplus Co., Ltd. | Technical Engineer |
Yukako Takeuchi | mplusplus Co., Ltd. | Technical Engineer |
Hinano Hasegawa | mplusplus Co., Ltd. | Technical Engineer |
Because the idea of the first ever virtual encouragement ceremony using Japan's best technology provided an opportunity to connect the athletes with the many people who actually wanted to support the athletes, even though there were strong voices against holding the Olympics, and as a result, a record number of 1.2 million people participated. Also, because the event was covered by many media outlets and created a sense of anticipation for the Olympics in Japan.
The Japanese Olympic Committee has always held encouragement ceremonies to show support for the Japanese national team competing in the Olympics. However, it became difficult to hold an actual gathering as in the past due to COVID-19. Furthermore, public opinion in Japan was divided on the pros and cons of holding the Olympics amid the pandemic, and many athletes felt unable to take part in the Games with their heads held high. The challenge was to find a way to encourage athletes under such circumstances.
In response to this situation, on July 6, 2021, we held the TOKYO 2020 Virtual Encouragement Ceremony, the first-ever online encouragement ceremony for athletes. Real shows of support and cheering from all over Japan were delivered to the athletes on stage at the Digital National Stadium.
As the question of whether or not to hold the Olympics was being raised, it was considered taboo to express support for the athletes, and there were many citizens who really wanted to support the athletes but could not. In response to this, we decided to ""unite our hearts. Let hope be your strength. Under the key message of ""Unite our hearts, make hope into strength,"" we held the first ever virtual encouragement ceremony, safe even from the Corona disaster. This was the world's first effort to digitally unite the public, who had been reluctant to voice their support due to public scrutiny, and the athletes, who could not take the Games seriously due to many opposing views.
For the first time in history, the stage was set in the Digital National Stadium, which was recreated using 3D technology, in order to make it a pep rally that people who are rooting for the athletes as well as those who have been indifferent to the Olympics would want to watch and participate. The highlight of the event was a live performance by a national artist while utilizing Japan's best volumetric capture technology. In addition, the words and figures of support collected from all over Japan were displayed there, and the Corona Damascene also visualized the feelings of support to deliver encouragement to the athletes participating remotely. In addition, ribbons and flags using the latest LED technology were used in a performance symbolizing the light of hope, to encourage the athletes who were taking on the challenge of the Olympics under uncertain circumstances.
A total of 582 athletes participated, a 70% increase from the previous record attendance. With the live streaming, 1.2 million people, 400 times more than the real event, attended the Virtual Encouragement Ceremony in real time and delivered their words of support. The best result of all was that the athletes, seeing the cheering voices of the people, shed tears of joy. The flags that we presented at the pep rally were voluntarily brought by the athletes to the opening ceremony of the Olympics. As a result, Japan's athletes won a record 58 medals. They also won a record 27 gold medals. The people who supported the athletes were also encouraged by their performance. Even though we couldn't see them in real life, we succeeded in lighting a light of hope in the hearts of the athletes and the world with the power of the latest technology and ideas.