Title | THE UNFILTERED HISTORY TOUR |
Brand | VICE WORLD NEWS |
Product / Service | VICE WORLD NEWS |
Category | G08. Market Disruption |
Entrant | DENTSU WEBCHUTNEY Bengaluru, INDIA |
Idea Creation | DENTSU WEBCHUTNEY Bengaluru, INDIA |
Idea Creation 2 | DENTSU WEBCHUTNEY Mumbai, INDIA |
Idea Creation 3 | DENTSU WEBCHUTNEY Gurgaon, INDIA |
Media Placement | DENTSU WEBCHUTNEY Mumbai, INDIA |
PR | DENTSU WEBCHUTNEY Mumbai, INDIA |
Production | DENTSU WEBCHUTNEY Mumbai, INDIA |
Production 2 | PIXEL PARTY New Delhi, INDIA |
Production 3 | VICE MEDIA London, UNITED KINGDOM |
Name | Company | Position |
---|---|---|
Gautam Reghunath | Dentsu Creative | Head of Business |
Aditiya P.G. | Dentsu Creative | Head of Creative |
Gurbaksh Singh | Dentsu Creative | Innovation Lead |
Binaifer Dulani | Dentsu Creative | Creative Lead |
Karishma Changroth | Dentsu Creative | Project Lead |
Ashwin Palkar | Dentsu Creative | Creative Head - Art |
Kushal Lalvani | Dentsu Creative | Copy Lead |
Aabhaas Shreshtha | Dentsu Creative | Creative - Art |
Anjali Thomas | Dentsu Creative | Account Manager |
Geetika Sood | Dentsu Creative | Creative Producer |
Niranjan Raghu | Dentsu Creative | Video Lead |
Manish Joseph | Dentsu Creative | Motion Graphics Lead |
Ishtaarth Dalmia | Dentsu Creative | Strategist |
Ananya S Rao | Dentsu Creative | Strategist |
Meghna Yesudas | Dentsu Creative | Social Lead |
Shaleen Wadhwana | Consultant | Research Consultant |
Shreya Vivek Arora | Dentsu Creative | Senior Art Director |
Tanya Paul | Dentsu Creative | Senior Art Director |
Vignesh Praveen | Dentsu Creative | Animation and Video Production |
Manasi Sheth | Dentsu Creative | Art Director |
Rakesh Bairwa | Dentsu Creative | Lead Web Developer |
Rahul Sharma | Dentsu Creative | Web Developer |
Gerson Pearson | Dentsu Creative | Video and Mixed Reality Producer |
Priyanka Borah | Dentsu Creative | Business Lead |
Stuti Sudha | Dentsu Creative | Copywriter |
Amey Chodankar | Dentsu Creative | Auxiliary Art Support |
Karthik Nambiar | Dentsu Creative | Creative - Art |
Farishte Irani | Dentsu Creative | Microsite - Copy |
Vaishakh Kolaprath | Dentsu Creative | Art Director |
Ronak Chugh | Rooted Films LLP | Films |
Sameer Rahat | Consultant | Music Composer |
Jeremy Pinto | Vivi5 Studios | Motion Graphics |
Manas Sharma | Vivi5 Studios | Motion Graphics |
Mehul Mahicha | Vivi5 Studios | Motion Graphics |
Ateesh Chattopadhyay | Consultant | . |
Sachin Ghanekar | Consultant | . |
Emi Eleode | Consultant | . |
Prashant Bhikadia | Consultant | . |
Shanel Moraes | Consultant | . |
For centuries, the British Museum has put forth an imperialist narrative surrounding the acquisition of its disputed artefacts, aided by a mainstream narrative pushed by all major press outlets. The Unfiltered History Tour is an alternative interactive tour of the British Museum’s disputed artefacts. 10 native experts play tour guide in narrating the true histories of artefacts from their homelands - a first for marginalised communities to express the intergenerational trauma inflicted upon them by centuries of colonial oppression. And for a younger readership to embrace these issues beyond news headlines and hot takes on social media.
Situation The British Museum is the world’s largest receiver of stolen goods. With over 8 million objects, that’s a lot of looted artefacts. For centuries, we’ve only heard the imperialist version of they got there. An equitable environment can only be created when silenced voices express the intergenerational trauma caused by colonial loot. Brief To place VICE World News at the forefront of conversations around colonialism and challenge dominant cultures by opening up dialogue to countries around the world to create a balance in the way history has been told. Objectives 1. Give a platform to underrepresented minority voices to share their accounts of artefacts that belong to their country. 2. Re-ignite the ongoing conversation on repatriation and postcolonialism on social media, with VICE championing marginalised voices. 3. Educate young people about the untold side of history using a tool as accessible as Instagram filters to tell unfiltered stories.
The Unfiltered History Tour is a guerrilla tour of the British Museum carried out via Instagram filters by making use of Augmented Reality that the internet is no stranger to. However, instead of adding dog ears to a selfie, the same technology was re-engineered to scan and identify life-sized 3D artefacts in differing light conditions throughout the day, to unfilter centuries of colonial narrative. In this alternative interactive tour, visitors can scan 10 disputed artefacts of the museum and see them being teleported back in time to their home countries, with experts from their homelands playing tour guide by narrating the true story of the loot of these treasures, with Augmented Reality being used as a subversive contextual overlay. Those who aren’t at the British Museum can unfilter history from wherever they are in the world, with immersive audio-video experiences and extended podcasts hosted on the Unfiltered History Tour website.
With The Unfiltered History Tour, we saw an opportunity to educate audiences by promoting expert voices who are native to the home countries of the artefacts housed in the British Museum. In doing so, we provided a deeply authentic, international perspective which can often be lost in mainstream news reporting around repatriation of the British Museum’s objects. Providing a platform for underrepresented minority voices, allowed VICE World News to travel to Ghana, Nigeria, Egypt, Jamaica, Rapa Nui, Iraq, India, and several other countries. The podcast moved listeners beyond the habit of simply reacting to news events through headlines and hot takes on social media. We took a social first approach to the promotion of the project with our 18 to 34 year old audiences, who use Instagram and TikTok for news consumption.
The Instagram filters were developed by a 100-person strong team working remotely for 18 months across 10 timezones. AR technicians accounted for changing light conditions inside the museum by developing an Instagram filter based on real-time weather using LiDAR technology (Light Detection and Ranging) to dynamically adapt to the changing environment at the museum, in a first of its kind Instagram Filter that blends satellite data with Augmented Reality. At any given point, only 1% of the British Museum's collection is on display. Through our extended podcast series, users could continue to discover the unfiltered history of artefacts not on display - like the Amaravati Marbles from India and Birdman and Boiyanel Structures from Jamaica.
In its first month, the campaign has seen $631K earned media 32 million social impressions 40% rise in TikTok followers and 49% increase in total impressions on Instagram 21,583 podcast downloads and 5,200 filter uses Change in behaviour According to a 2014 survey, 59% of Britons were proud of the British Empire. In a poll conducted weeks after the Tour was launched, 59% of Britons said they believed the Parthenon Marbles (part of the Tour) belonged in Greece, a sharp turn in the opposite direction. The podcast series let us go a lot deeper with the project and give audiences something heavily educational, not found in British history textbooks. What some users had to say after taking the tour: “Clever and a brilliant way of teaching historical reality” “Confronts and challenges colonial origins.” “Hearing the past told by multiple perspectives gives depth.” “A much needed resource.”
VICE World News is a newly formed brand, to provide global news reporting for young audiences internationally. In order to grow their cross-platform audience significantly year on year, we needed to cut-through a crowded media environment. The Unfiltered History Tour tackled the marketing challenge of developing awareness and consumption by using a unique format (Augmented Reality backed by journalistic reporting) which captured their audience’s attention. Providing a platform for underrepresented minority voices, allowed VICE World News to travel to Ghana, Nigeria, Egypt, Jamaica, Rapa Nui, Iraq, India and several other countries. They were also able to provide a deeply authentic, international perspective which can often be lost in mainstream news reporting around repatriation of the British Museum’s objects. The podcast series allows users to delve deeper with something heavily educational, moving listeners beyond the habit of simply reacting to news events through headlines and hot takes on social media.