Title | WE CAN'T HELP BUT HELP |
Brand | NRMA |
Product / Service | INSURANCE |
Category | B03. Sound Design |
Entrant | RUMBLE STUDIOS Sydney, AUSTRALIA |
Idea Creation | THE MONKEYS, PART OF ACCENTURE SONG Sydney, AUSTRALIA |
Production | REVOLVER Sydney, AUSTRALIA |
Post Production | RUMBLE STUDIOS Sydney, AUSTRALIA |
Name | Company | Position |
---|---|---|
Cam Milne | Rumble Studios | Sound Designer |
Michael Gie | Rumble Studios | Sound Executive Producer |
Dani Pearce | Revolver | Director |
Pip Smart | Revolver | Producer |
Sarah Nichols | Revolver | Producer |
NRMA We Can't Help But Help is a beautiful take on a “struggle to success” story.This edit allowed the use of reverb and delay across the dialogue to bridge scenes together and weave a stronger sense of struggle throughout the film. During the closing storm sequence, we injected some visceral sound design which worked so well we decided to apply it to the abstract shots throughout the edit. Additions to these abstract shots such, as low distortion, thunder and processed foliage samples, help the tension and story develop over time. Lush synths and piano glued this all together to create a very memorable and creative film.