Title | HAIR ALBUM |
Brand | TAKARA BELMONT CORPORATION |
Product / Service | CORPORATE IMAGE |
Category | B04. Animation |
Entrant | HAKUHODO INC. Tokyo, JAPAN |
Idea Creation | HAKUHODO INC. Tokyo, JAPAN |
Production | TAIYO KIKAKU CO., LTD. Tokyo, JAPAN |
Post Production | GLADSAD CO.,LTD Tokyo, JAPAN |
Name | Company | Position |
---|---|---|
Yuki Yokoi | HAKUHODO | Planner |
Yuki Yokoi | HAKUHODO | Copywriter |
Yuki Ishikawa | TOKYO / TAIYO KIKAKU | Director |
Koji Eguchi | TAIYO KIKAKU | Producer |
Risa Matsui | TAIYO KIKAKU | Producer |
Oki Tanji | TAIYO KIKAKU | Production Manager |
Takeshi Yashiro | TAIYO KIKAKU | Animator |
Shinya Kocho | freelance | Cinematographer |
Ryo Uno | TAIYO KIKAKU | Cinematographer |
Keita Ueno | freelance | Cinematographer |
Haruki Ohori | freelance | Lighting Designer |
Midoriko Nemoto | TAIYO KIKAKU | Production Designer |
Yuma Matsuoka | TAIYO KIKAKU | Offline Editor |
Jun Hatano | TAIYO KIKAKU | Online Editor |
Takeshi Yamaguchi | GLADSAD | Colorist |
Justin Frieden | freelance | Music Supervisor |
Ayami Fujiwara | TAIYO KIKAKU | Sound Mixer |
Nanami Kubo | TAIYO KIKAKU | Sound Mixer |
Hideto Kikuchi | freelance | Recording |
Akito Narita | freelance | Sound Effects |
Kanako Hama | freelance | Hair & Makeup Artist |
Akiko Watanabe | freelance | Cast |
Atsushi Hasebe | freelance | Cast |
An old, grey-haired woman goes to the hair salon. As the hairdresser cuts her hair, the hair on the ground forms into the shape of her younger self. She watches her hair recreate her memories with her husband. We considered hair as a living part of body and tried to express her life's story by a puppet animation in which hair is rarely used as a material. We tell a story about moving past tragedy. We hope the audience feels the potential of a hairdresser who can help you move forward in life.
A stop-motion animation was realized by creating a puppet using artificial hair with gray hairs. This is probably a technique that is unparalleled in the world. The doll has no facial expression, but I tried to express joy, anger, sorrow, and pleasure as if it had a face.