| Title | SHOULD’VE GONE TO SPECSAVERS |
| Brand | SPECSAVERS |
| Product / Service | GLASSES |
| Category | B04. Animation |
| Entrant | HECKLER Sydney, AUSTRALIA |
| Idea Creation | CUMMINS & PARTNERS Melbourne, AUSTRALIA |
| Production | HECKLER Sydney, AUSTRALIA |
| Production 2 | RUMBLE STUDIOS Sydney, AUSTRALIA |
| Production 3 | SIXTY40 Sydney, AUSTRALIA |
| Post Production | HECKLER Sydney, AUSTRALIA |
| Name | Company | Position |
|---|---|---|
| Heath Collins | Cummins&Partners | Creative |
| Liam Jenkins | Cummins&Partners | Creative |
| Carole Sinclair | Cummins&Partners | Senior Producer |
| Marnie McKenzie | Cummins&Partners | Group Account Director |
| Dominique Grainger | Cummins&Partners | Integration Manager |
| Simon Robson | Sixty40 | Director |
| Fred Venet | Sixty40 | Director |
| Fred Venet | Heckler | Illustration |
| Alex Mouron | Heckler | Illustration |
| Charu Menon | Heckler | Senior Producer |
| Will Alexander | Heckler | Executive Producer |
The most recently released iteration of Specsavers iconic ‘Should’ve gone to Specsavers’ series actually began production in May of 2017. Lovingly crafted over the following months by production company Heckler, it would ultimately be held back from release, perhaps never to see the light of day. After almost four years on the shelf, it now makes its way onto Australian screens, much to the delight of its creators.