ANDY WARHOL X SK-II: BROADCAST YOUR BEAUTY

TitleANDY WARHOL X SK-II: BROADCAST YOUR BEAUTY
BrandSK-II
Product / ServiceSK-II LIMITED EDITION PITERA ESSENCE
CategoryB04. Animation
EntrantUNLISTED Cremorne, AUSTRALIA
Idea Creation FORSMAN & BODENFORS Singapore, SINGAPORE
Production UNLISTED Cremorne, AUSTRALIA
Production 2 1STAVEMACHINE New York, USA
Post Production 1STAVEMACHINE New York, USA

Credits

Name Company Position
Adrian Oritz Forsman and Bodenfors Account Director
Amanda Zhang Forsman &Bodenfors Producer
Firrdaus Yusoff Forsman & Bodenfors Creative
Gary Lim Forsman & Bodenfors Creative
Jason Feng Forsman & Bodenfors Creative
Lena Paik Forsman & Bodenfors Creative
Shum Qihao Forsman & Bodenfors Creative
Katie Mackin Unlisted Executive Producer
Marlina Al-Johary Unlisted Producer
Morgan Harary 1stAveMachine Director
Christos Mountzouros 1stAveMachine Head of Production
Courtney Gnash 1stAveMachine Post Producer
Rob Holland 1stAveMachine Additional Post Producer

Write a short summary of what happens in the film.

SK-II’s “Broadcast Your Beauty” is an energetic, mixed-media spot created to launch the collaboration between SK-II and The Andy Warhol Foundation. Fittingly, the “Broadcast Your Beauty” concept is told through the lens of Warhol’s favourite broadcast medium: the television. The highly stylised aesthetic of the spot captures the energy of the limited edition ‘Pitera Essence’ bottle, immortalising Warhol’s words and reflecting a beauty philosophy shared by SK-II. In the nature of broadcasting one’s beauty, the special bottles, as well as SK-II’s joyful representatives, are transmitted on screens across major cities - New York, Tokyo, Singapore - to drive home the brand’s global mission to celebrate all kinds of beauty.

Cultural / Context information for the jury

NA.

Tell the jury about the animation used and summarise any relevant challenges or techniques.

To celebrate the SK-II x Warhol: Limited Edition Pitera Essence, the director of this piece created a fully VFX world around found footage from the archives of the Andy Warhol Association. It was always the director’s intention to experiment and be playful with how VFX was employed to showcase this collaboration - a notion which was derived from Warhol’s oeuvre and work ethic. One can see that the pop-art colouring, use of CG televisions (Warhol’s favourite medium), coupled with the overall energy, allowed for the film to feel connected and consistent in a realistic yet otherworldly way. This was no easy feat given that the production team was far-spread: from LA to London, New Zealand and Melbourne… this truly was a global scale project!

Links

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