Title | 'TOMORROW WANTS ITS CAR BACK' |
Brand | HYUNDAI |
Product / Service | HYUNDAI TUCSON |
Category | A08. Achievement in Production |
Entrant | SCOUNDREL Sydney, AUSTRALIA |
Idea Creation | INNOCEAN WORLDWIDE AUSTRALIA Sydney, AUSTRALIA |
Production | SCOUNDREL Sydney, AUSTRALIA |
Name | Company | Position |
---|---|---|
Wes Hawes | Innocean Australia | Executive Creative Director: |
Dan O’Connell | Innocean Australia | Creative Director |
Mitchell Sutton | Innocean Australia | Art Director |
Josh Campbell | Innocean Australia | Creative Team |
Karl Bates | Innocean Australia | Head of Strategy |
Romy Briers | Innocean Australia | Head of CX |
Ian Hartley | Innocean Australia | Client Partner |
Vincent Pled | Innocean Australia | Senior Account Director |
Sarah Gardan | Innocean Australia | Account Director |
Craig Sloane | Innocean Australia | Director of Integrated Production |
Louis Moore | Innocean Australia | Integrated Producer |
Warrick Nicholson | Innocean Australia | Senior Integrated Producer |
Juliana Bacmaga | Innocean Australia | Finished art/Design |
Michael Spiccia | Scoundrel | Director |
Adrian Shapiro | Scoundrel | Executive Producer |
Kate Gooden | Scoundrel | Executive Producer |
Jeremy Rouse | Scoundrel | Director of Photography |
Mark Burnett | The Editors | Editor |
Justin Bromley | Fin Design & Effects | VFX Supervisor |
Alastair Stephen | Fin Design & Effects | Head of Visual Effects / EP |
Simon Clarke | Fin Design & Effects | CG Supervisor |
Alex Patterson | Fin Design & Effects | Flame Artist |
Isabelle Howarth | Fin Design & Effects | VFX Producer |
Ben Eagleton | BE Colour | Colourist |
Simon Lister | Squeak E. Clean Studios | Creative Director / Sound Designer |
Emma Hodge | Squeak E. Clean Studios | Head of Production - Sound |
Elliott Wheeler | Turning Studios | Composer |
Carla de Menezes Ribeiro | Turning Studios | Music Producer |
In this film we see robots sneak out from the bushes, luxuriate in car's good looks, experience its incredible tech, and then frantically drive the car back to the future, after being startled by the family dog. The car displayed in this film is so forward thinking, so technologically advanced and so good looking, that even a group of high-tech, highly futuristic robots are amazed by its impeccable design. A car that looks so futuristic that it really shouldn’t be available in 2021. The bold design expresses an innovation led future. The campaign execution sees robots coming from the future to steal back what is rightfully theirs from 2021. We see robots creep from the bushes, luxuriate in the vehicle’s good looks, experience its incredible tech, and then frantically drive the car back to the future.
The first creative challenge was to get the design and creation of the robots right. We initially worked with a concept artist, to come up with the designs for the robots, which we then sent to our VFX partners who built greyscale models so that we could explore rigging and features. By utilising an anatomical intelligence that allows not only their limbs to manoeuvre in creative smart ways but the plates that form their shell or armour to shift and tilt when needed, it enabled us to heighten an emotional reaction but also signify language between them, which also allowed us to craft a sense and range of performance.We had to ensure that we set the tone and created an atmosphere that our audience could buy into. We decided that the more tension we create, the more satisfying the release is when we see the robots go for the car.