Title | DOROTHY |
Brand | ING |
Product / Service | ING BANKING |
Category | B05. Visual Effects |
Entrant | SCOUNDREL Sydney, AUSTRALIA |
Idea Creation | OGILVY AUSTRALIA Sydney, AUSTRALIA |
Production | SCOUNDREL Sydney, AUSTRALIA |
Name | Company | Position |
---|---|---|
Tim Bullock | Scoundrel | Director |
Gavin McLeod | Ogilvy | Executive Creative Officer |
Boris Gorelja | Ogilvy | Creative Director |
Blake Arthur | Ogilvy | Senior Copywriter |
Carl Robertson | Ogilvy | Senior Art Director |
Tom Warren | Ogilvy | Account Director |
Annabelle McCaffrey | Ogilvy | Account Manager |
Renee Nadin | Ogilvy | Senior Producer |
Giovanna Javelosa | Ogilvy | Print Production Manager |
Adrian Shapiro | Scoundrel | Executive Producer |
Morgan Benson-Taylor | Scoundrel | Producer |
Shelley Farthing-Dawe | Scoundrel | Director of Photography |
Miles Pitt | Scoundrel | Production Designer |
Paula Ryan | Scoundrel | Costume |
Jamie Watson | Scoundrel | VFX Supervisor |
A group of young people arrive at a costume party dressed as a range of characters from the Wizard of Oz - joining them is Rory the Lion. When they get out of the car they almost forget to lock the car... But Rory has their back.
The fully CG lion is this film had to be real. A symbol of the brand and its people, the intention was to make the audience forget that they are watching an animated animal but instead sharing the experience of the lion's presence with the characters. The jungle cat’s movement is grounded firmly within the realm of movement of an actual lion, matching the gait, heft and agility. His most notable feature, his mane moves through the wind to mimic the true lusciousness of a lion's hair. The VFX, CG and colour grade literally bring the brand to life. The main challenges were to mimc the behavioural characteristics of lions. We were conscious that the lion should behave like an animal, avoiding transposing any human behaviour. Our main goal was to achieve absolute authenticity.