THE CASE STUDY PROJECT

TitleTHE CASE STUDY PROJECT
BrandWOMENS WORK COLLECTIVE
Product / ServicePHOTOGRAPHY
CategoryD01. Screens & Events
EntrantSAATCHI & SAATCHI Auckland, NEW ZEALAND
Idea Creation SAATCHI & SAATCHI Auckland, NEW ZEALAND
Production PACEY PRODUCTION COMPANY Auckland, NEW ZEALAND

Credits

Name Company Position
Mark Cochrane Saatchi & Saatchi NZ Chief Executive Officer
Steve Cochran Saatchi & Saatchi NZ Chief Creative Officer
Kristal Knight Saatchi & Saatchi NZ Creative Director
Jordan Sky Saatchi & Saatchi NZ Creative Director
Lorenz Perry Saatchi & Saatchi NZ Senior Designer
Martin Needle Saatchi & Saatchi NZ Video Manager
Briar Pacey Pacey Production Company Producer
Victoria Baldwin Womens Work Photographer
Sacha Stejko Womens Work Photographer / Director
Priscilla Frame Womens Work Sound Tech
Melissa Nickerson Womens Work Director & Photographer
Aimee Magne Womens Work Photographer
Amber Jones Womens Work Photographer
Amber-Jayne Bain Womens Work Photographer
Ann Orman Womens Work Photographer
Camille Sanson Womens Work Photographer
Emma Baker Womens Work Photographer
Jessica Gernat Womens Work Photographer
Kirsten Middleton Womens Work Photographer
Larnie Nicolson Womens Work Photographer
Manja Wachsmuth Womens Work Photographer
Mara Sommer Womens Work Photographer
Melanie Jenkins Womens Work Photographer
Michelle Hyslop Womens Work Photographer
Sara Orme Womens Work Photographer
Shona Dey Womens Work Photographer
Vanessa Wu Womens Work Photographer
Virginia Woolf Womens Work Photographer
Hannah Richards Womens Work Photographer
Jinki Cambronero Womens Work Photographer
Charlotte Anderson Womens Work Photographer
Bridie MacInnes Womens Work Photographer
Camilla Rutherford Womens Work Photographer
Jacki Key Womens Work Photographer
Katya Pfenniger Womens Work Photographer

Write a short summary of what happens in the film

This online film is written in an advertising case study style about a campaign of posters for Women’s Work a women’s photographer collective. It features their Creative Director talking directly to camera describing the campaign and in doing so communicates their fundamental message about how women photography is considerably underrepresented in advertising around the globe. Cutaways show photographers and the numerous posters they created, each poster naming an agency or network. The film reveals itself to not be a traditional documentary case study, but instead, the only medium in which the posters ran. It ends with a strong call-to-action asking marketing agencies to consider putting a woman on all their shortlists. This film is not only about a campaign, it is the campaign.

Cultural / Context information for the jury

Less than 15% of photography used in advertising around the globe is shot by women. In fact, by some calculations, it could be well below 10%. Women’s Work is a diverse collective of female photographers in New Zealand who have a desire to change this statistic and unconscious bias. Not just in New Zealand either, but for the world. They recognise with modest resources their ability to affect change is limited. But the first step is to raise awareness and conversation of the subject within the creative industries. Creating a case study to carry this message as a Cannes Lion entry, to put in front of one of the most influential creative audiences in the world, seemed to them to be an efficient way to put this subject out into the world with little money.