Title | THE CASE STUDY PROJECT |
Brand | WOMENS WORK COLLECTIVE |
Product / Service | PHOTOGRAPHY |
Category | D01. Screens & Events |
Entrant | SAATCHI & SAATCHI Auckland, NEW ZEALAND |
Idea Creation | SAATCHI & SAATCHI Auckland, NEW ZEALAND |
Production | PACEY PRODUCTION COMPANY Auckland, NEW ZEALAND |
Name | Company | Position |
---|---|---|
Mark Cochrane | Saatchi & Saatchi NZ | Chief Executive Officer |
Steve Cochran | Saatchi & Saatchi NZ | Chief Creative Officer |
Kristal Knight | Saatchi & Saatchi NZ | Creative Director |
Jordan Sky | Saatchi & Saatchi NZ | Creative Director |
Lorenz Perry | Saatchi & Saatchi NZ | Senior Designer |
Martin Needle | Saatchi & Saatchi NZ | Video Manager |
Briar Pacey | Pacey Production Company | Producer |
Victoria Baldwin | Womens Work | Photographer |
Sacha Stejko | Womens Work | Photographer / Director |
Priscilla Frame | Womens Work | Sound Tech |
Melissa Nickerson | Womens Work | Director & Photographer |
Aimee Magne | Womens Work | Photographer |
Amber Jones | Womens Work | Photographer |
Amber-Jayne Bain | Womens Work | Photographer |
Ann Orman | Womens Work | Photographer |
Camille Sanson | Womens Work | Photographer |
Emma Baker | Womens Work | Photographer |
Jessica Gernat | Womens Work | Photographer |
Kirsten Middleton | Womens Work | Photographer |
Larnie Nicolson | Womens Work | Photographer |
Manja Wachsmuth | Womens Work | Photographer |
Mara Sommer | Womens Work | Photographer |
Melanie Jenkins | Womens Work | Photographer |
Michelle Hyslop | Womens Work | Photographer |
Sara Orme | Womens Work | Photographer |
Shona Dey | Womens Work | Photographer |
Vanessa Wu | Womens Work | Photographer |
Virginia Woolf | Womens Work | Photographer |
Hannah Richards | Womens Work | Photographer |
Jinki Cambronero | Womens Work | Photographer |
Charlotte Anderson | Womens Work | Photographer |
Bridie MacInnes | Womens Work | Photographer |
Camilla Rutherford | Womens Work | Photographer |
Jacki Key | Womens Work | Photographer |
Katya Pfenniger | Womens Work | Photographer |
This online film is written in an advertising case study style about a campaign of posters for Women’s Work a women’s photographer collective. It features their Creative Director talking directly to camera describing the campaign and in doing so communicates their fundamental message about how women photography is considerably underrepresented in advertising around the globe. Cutaways show photographers and the numerous posters they created, each poster naming an agency or network. The film reveals itself to not be a traditional documentary case study, but instead, the only medium in which the posters ran. It ends with a strong call-to-action asking marketing agencies to consider putting a woman on all their shortlists. This film is not only about a campaign, it is the campaign.
Less than 15% of photography used in advertising around the globe is shot by women. In fact, by some calculations, it could be well below 10%. Women’s Work is a diverse collective of female photographers in New Zealand who have a desire to change this statistic and unconscious bias. Not just in New Zealand either, but for the world. They recognise with modest resources their ability to affect change is limited. But the first step is to raise awareness and conversation of the subject within the creative industries. Creating a case study to carry this message as a Cannes Lion entry, to put in front of one of the most influential creative audiences in the world, seemed to them to be an efficient way to put this subject out into the world with little money.