| Title | KATHMANDU |
| Brand | KATHMANDU |
| Product / Service | KATHMANDU |
| Category | A01. Consumer Goods |
| Entrant | SPECIAL Sydney, AUSTRALIA |
| Idea Creation | SPECIAL Sydney, AUSTRALIA |
| Media Placement | IPROSPECT Sydney, AUSTRALIA |
| Production | EXIT FILMS Sydney, AUSTRALIA |
| Production 2 | RUMBLE STUDIOS Sydney, AUSTRALIA |
| Production 3 | HECKLER Sydney, AUSTRALIA |
| Post Production | HECKLER Sydney, AUSTRALIA |
| Additional Company | WE ARE SOCIAL Sydney, AUSTRALIA |
| Name | Company | Position |
|---|---|---|
| Eva Barrett | Kathmandu | Chief Customer Officer |
| Glenn Gibbins | Kathmandu | Creative Manager |
| Cara Lloyd | Kathmandu | Marketing Manager - Campaigns |
| Sevda Cemo | Special Group Australia | Head of Film & Content / Executive Producer |
| Nils Eberhardt | Special Group | Creative Director |
| Simon Gibson | Special Group | Creative Director |
| Jade Manning | Special Group | Creative Director |
| Vince Osmond | Special Group | Creative Director |
| Steph Wilkinson | Special Group | Producer |
| Emily Willis | Special Group | Producer |
| Stefan Hunt | Exit Films | Director |
| Sam Chiplin | Exit Films | Cinematographer |
| Declan Cahill | Exit Films | Managing Director |
| Leah Churchill Brown | Exit Films | Executive Producer |
| Linzee Harris | Exit Films | Producer |
| Andrew Holmes | Heckler | Senior Editor and Online Artist |
| Carlos Zalapa | Heckler | Executive Post Producer |
| Fergus Rotherham | Colourist | Heckler |
| Gina Wagstaffe | Heckler | Design Director |
| Kim Worral | Heckler | 2D compositor |
| Jamie Watson | Heckler | VFX Supervisor |
| Matthias Muller | Rumble Studios | Composer |
| Liam Annert | Rumble Studios | Sound Engineer |
| Katie Harper | Rumble Studios | Sound Producer |
| Cameron Milne | Rumble Studios | Sound Engineer |
| -- -- | iProspect | Media |
Do not reference your company. Do not comment on the brief / challenges / success of the film. In Kathmandu’s ‘Leaves’ :60 commercial, a friendly narrator explains that spending time in the great outdoors has a chemical effect on the human brain that makes people feel less stressed, happier and less inhibited. The narrator’s rhythmic explanation propels us on a mixed-media journey through the outdoors and inside campers’ brains. We see people enjoying nature and then the effect it has on them represented by otherworldly cosmic spaces, friendly cartoon suns and even flying dolphins. These positive experiences then lead to them enjoying more nature. A virtuous cycle of uplifting fun, completely clad in brightly coloured Kathmandu gear.