Title | IT’S TIME TO MOVE ON TO A FREER PLACE WITH OMEN |
Brand | HP OMEN |
Product / Service | HP OMEN |
Category | G05. Cultural Insight |
Entrant | WIEDEN+KENNEDY Tokyo, JAPAN |
Idea Creation | WIEDEN+KENNEDY Tokyo, JAPAN |
Idea Creation 2 | WIEDEN+KENNEDY Tokyo, JAPAN |
Production | SERIAL PICTURES New York, USA |
Production 2 | SERIAL PICTURES New York, USA |
Production 3 | TOKYO Tokyo, JAPAN |
Production 4 | AOI PRO. INC. Minato City, JAPAN |
Post Production | ICE CREAM Paris, FRANCE |
Name | Company | Position |
---|---|---|
Asami Yamashita | Wieden+Kennedy Tokyo | Copywriter |
Kazuhi Yoshikawa | Wieden+Kennedy Tokyo | Art Director |
Kosuke Sasaki | Wieden+Kennedy Tokyo | Senior Producer |
Daisuke Asada | Wieden+Kennedy Tokyo | Studio Designer |
Sara Greco | Serial Pictures | Executive Producer |
Joshua Goldstein | Serial Pictures | Producer |
Joshua Goldstein | Serial Pictures | Producer |
Mikul Eriksson | Serial Pictures | Director of Photography |
Hide Nagasawa | TOKYO | Executive Producer |
Go Tanabe | TOKYO | Producer |
Hideki Okawa | TOKYO | Line Producer |
Hideki Okawa | TOKYO | Line Producer |
Eriko Amari | TOKYO | Production Manager |
Kanna Naiki | TOKYO | Production Manager |
Nagisa Kodama | TOKYO | Assistant to Director |
Ko Iwagami | TOKYO | Casting Director |
Ko Iwagami | TOKYO | Casting Director |
Rikiya Takano | TOKYO | Casting Director |
Arata Ijichi | TOKYO | Lighting Director |
Remi Takenouchi | N/A | Wardrobe | Costume | Styling |
CARRIE CARRIE | N/A | Hair & Make up |
Enzo Enzo | TOKYO | Production Design |
Ty Demura | Wieden+Kennedy Tokyo | Producer |
Scott Dungate | Wieden+Kennedy Tokyo | Executive Creative Director |
Aiwei Ichikawa | Wieden+Kennedy Tokyo | Studio Manager |
Rudy Jean-Francois | Wieden+Kennedy Tokyo | Strategic Planner |
Jacob Kim | Wieden+Kennedy Tokyo | Agency Editor |
Justin Lam | Wieden+Kennedy Tokyo | Comms Planning Director |
Anthony Matsuo | Wieden+Kennedy Tokyo | Account Director |
Steve Nakamura | Wieden+Kennedy Tokyo | Creative Director |
Midori Sugama | Wieden+Kennedy Tokyo | PR |
Yosuke Suzuki | Wieden+Kennedy Tokyo | Managing Director |
Thijs van de Wouw | Wieden+Kennedy Tokyo | Strategic Planning Director |
Naomi Hirano | Wieden+Kennedy Tokyo | Account Executive |
Naomi Hirano | Wieden+Kennedy Tokyo | Account Executive |
Ryota Tsukamoto | Wieden+Kennedy Tokyo | Creatives |
Haruto Murata | Wieden+Kennedy Tokyo | Creatives |
Takuro Kobayashi | Wieden+Kennedy Tokyo | Translator |
BRTHR BRTHR | BRTHR | Director |
We hear the voice of a Japanese gamer reading the letter she wrote to her beloved console. She enjoyed the time she and friends spent with it in their tiny bedroom. It was fun until it was not enough anymore. Now, she aspires for something bigger. She wants to connect with players beyond the limits of her bedroom, interact with them without restriction, she wants to go faster, she wants more power. She doesn’t want to be held back anymore. She knows her console can’t give her what she wants, this is why it is time for her to move on.
We interviewed Japanese gamers and organized online play sessions with groups of console gamers who were pit with and against PC players. The verdict was clear, console gamers were slower than PC gamers, had less options to customize their playstyle and had a harder time communicating with other players. Consoles didn’t allow them to fully interact with others or adapt the game settings to their needs, keeping them from truly enjoying their favorite online games. Worse, at a time where gaming is quickly evolving and in-game communities are having more importance in their life, they felt that the hardware couldn’t keep up with their own progress in-game. We took the opportunity to position OMEN as the brand that would unlock their progress, allowing them to play without being held back by their hardware.