Title | CONDOM BATTLER GORO REVIVE |
Brand | OKAMOTO INDUSTRIES, INC. |
Product / Service | CONDOM |
Category | F01. Use of Film |
Entrant | DENTSU INC. Tokyo, JAPAN |
Idea Creation | DENTSU INC. Tokyo, JAPAN |
Media Placement | DENTSU INC. Tokyo, JAPAN |
PR | PR CONSULTING DENTSU INC. Tokyo, JAPAN |
Production | ENGINE FILM Tokyo, JAPAN |
Post Production | TREE DIGITAL STUDIO Tokyo, JAPAN |
Additional Company | CREATORS IN PACK Osaka, JAPAN |
Additional Company 2 | SPECTRUM Osaka, JAPAN |
Additional Company 3 | XENRON Osaka, JAPAN |
Additional Company 4 | CREATORS IN PACK Osaka, JAPAN |
Additional Company 5 | TAURUS GLOBAL STUDIO Osaka, JAPAN |
Name | Company | Position |
---|---|---|
Masahiro Okamoto | DENTSU INC. | Executive Creative Director |
Yasuyuki Fukushima | DENTSU INC. | Creative Director |
Tomochika Hida | DENTSU INC. | Planner |
Shinya Iwasaki | DENTSU INC. | Planner |
Kotaro Mita | DENTSU INC. | Account Executive |
Yuki Ota | DENTSU INC. | Account Executive |
Taishi Tsuruhara | DENTSU INC. | Account Executive |
Yutaka Hasegawa | DENTSU CREATIVE FORCE INC. | Creative producer |
Kenichi Kusano | PR Consulting Dentsu Inc. | PR |
Ryo Oyama | ENGINE INC. | Producer |
Jethro Cross | ENGINE INC. | Production Manager |
MAO (No last name) | Freelance | Director |
Yuji Minami | TREE Digital Studio Inc. | Editor |
Yuki Nagasawa | Ventuno | Music |
Hisato Takagi | CREATIVE POWER UNIT | Designer |
Kazumi Akio | Freelance | Animation Director |
Youiti Beppu | Creators in Pack | Animation Producer |
Hisaya Takahara | Creators in Pack | Animation Producer |
LAZZ (No last name) | Freelance | Character Design |
Hisayoshi Hirasawa | Cloud22 | Sound director |
Hiromu Mineta | STARDUST PROMOTION, INC. | Narrator |
Arisa Nakada | WONDER SPACE | Narrator |
Syohei Yamaguchi | WONDER SPACE | Narrator |
Wataru Usami | WONDER SPACE | Narrator |
Shinichiro Kitamura | WONDER SPACE | Narrator |
Mayumi Wada | Creators in Pack | Original picture |
Miki Sorakubo | Creators in Pack | Original picture |
Takahide Ejiri | Creators in Pack | Original picture |
Mai Sakamoto | Creators in Pack | Original picture |
Yuumi Lin | Creators in Pack | Second original picture |
Yuriko Yamashita | Creators in Pack | Second original picture |
Mame (No last name) | Color&Smile | Animation art director |
Kana Sakaguchi | Color&Smile | Animation Background |
Hayato Naoi | Color&Smile | Animation Background |
Taiki Yamashita | Color&Smile | Animation Background |
Haruse Miyauchi | Color&Smile | Animation Background |
Shigeru Takahashi | Color&Smile | Animation art |
Kouji Hayashi | Color&Smile | Animation cinematographer |
Masaki Satake | Color&Smile | Animation shooting assistant |
Aswin Nur Cahya | Color&Smile | Animation shooting assistant |
Hiromi Morisawa | Color&Smile | Animation shooting assistant |
Marin Sakade | Color&Smile | Line test |
Kenichi Ikeda | Color&Smile | Line test |
Ritsu Mike | SPECTRUM | 2Dworks |
Yujin Igarashi | Creators in Pack | Editor |
Yuika Shiraishi | Freelance | Sound effect |
Haruka Ito | Freelance | Audio mixer |
Toshifumi Tsuzuki | Freelance | Audio mixer |
The subject of the previous work Condom Battler Goro, released in 2020, was “condom battles”, where awareness of condoms and their correct usage is used in battle. The new work depicts that world five years and six months later, using the latest in modern animation technology. Part 1 shows the protagonist Goro’s conflict when he suddenly stopped using condoms after the heroic battle shown in the previous work. Moreover, while Goro sinks into darkness, Part 2 depicts the struggles of the heroine Miku, who frets and fails to ask Goro to use a condom. This work shows all of this in digest format.
In Japan, where there is still a tendency to regard the topic of sex as taboo, sex education is often inadequate. Therefore, as people may not see or share information given through usual methods, we have taken a chance by using animation, story and characters to convey our message, and successfully promoted the correct attitude towards condoms.
By deliberately making the previous work in a cheap 1990s Japanimation style, and making the sequel to this work with the latest modern animation technology, has been a boom in Japan this recent years. In the context of "revival production," it is not a simple sequel, but a self-revival structure. As a result, it has become a form of an easy way to make a series development of an advertising content.