Title | WHERE BABIES COME FROM |
Brand | GENEA |
Product / Service | IVF |
Category | C07. Challenger Brand |
Entrant | CHE PROXIMITY Sydney, AUSTRALIA |
Idea Creation | CHE PROXIMITY Sydney, AUSTRALIA |
Production | DIVISION Sydney, AUSTRALIA |
Production 2 | DIVISION Sydney, AUSTRALIA |
Post Production | DIVISION Sydney, AUSTRALIA |
Post Production 2 | DIVISION Sydney, AUSTRALIA |
Name | Company | Position |
---|---|---|
Ant White | CHEP Network | Chief Creative Officer |
Cameron Hoelter | CHEP Network | Executive Creative Director |
Jeremy Hogg | CHEP Network | Creative Director |
Richard Shaw | CHEP Network | Creative Director |
Fee Millist | CHEP Network | Senior Copywriter |
Fee Millist | CHEP Network | Senior Copywriter |
Darren Cole | CHEP Network | Head of Design |
Trent Michael | CHEP Network | Senior Designer |
Sebastian Perez de Arce | CHEP Network | Senior Designer |
Reece Lawson | CHEP Network | Digital Design Lead |
Chris Howatson | CHEP Network | Chief Executive Officer |
Renee Hyde | CHEP Network | Managing Partner |
Nicholas Biggs | CHEP Network | Account Director |
Nicholas Biggs | CHE Proximity | Account Director |
Katherine McCulloch | CHEP Network | Research Marketing Manager |
Holly Alexander | CHEP Network | Director, Strategic Production |
Elena Szymanski | CHEP Network | Broadcast Producer |
Anna Boucaut | CHEP Network | Technology Project Manager |
King Yong | CHEP Network | Senior Editor |
Patrik Fagard | CHEP Network | Creative Technologist |
Andy Stewart | CHEP Network | Creative Technologist |
Mike Deane | CHEP Network | Chief Media Officer |
Tim Russell | CHEP Network | Head of Strategy, Media |
Anna Longson | CHEP Network | Integrated Planner |
Yenfei Tan | CHEP Network | Addressable Manager |
Katrina Anastasi | CHEP Network | Digital Executive |
CONTEXT Within the IVF market everyone looked the same; once one clinic shifts creative approach, the category follows. Because all brands looked the same, and because people (wrongly) perceived all underlying science to be the same, everyone was seen as interchangeable. Unfortunately, Genea were not only the most expensive offering in the market, we were also being dramatically outspent 5:1. As a result we faced a situation of; not widely appearing when people search for IVF, not being different enough to notice when we did show up, and offering little to justify the price premium. No wonder we were underperforming the market for IVF cycles. If we couldn’t outshout them, we needed to outthink them. We needed to reinvigorate Genea, helping it rise above the noisy crowd to be seen as the front-runner in their field, and making people feel comfortable to book an appointment. CREATIVE CHALLENGE Society is fixated with natural conception as the “normal” and “best” way to conceive. By contrast IVF is stigmatised. It’s reinforced everywhere. Social media is full of airbrushed perfection and perfect pregnancies. Even the way the category talks reinforces people needing IVF to be ‘special’ and needing scientific intervention. This made those who needed help conceiving feel uncomfortable and ultimately abnormal. And as a result stopped them from talking about their struggles and reaching out for help. And then there’s Genea. For all the science and technology, we were struck by the fact that Genea goes to great efforts to make their IVF as ‘human’ as possible, focusing on what nature is already doing, with a little extra support. In talking to prospective patients it became clear that we needed to step outside the category norm and “smash the taboo around IVF and infertility” ......by showing that Genea’s IVF is a natural extension of the baby-making process. SOLUTION We made IVF as natural as sex and rewrote the story of Where Babies Come From. Breaking down taboos, we turned IVF into a joyful, sexy celebration. EXECUTION Genea’s brand line changed to ‘Genea. Where babies come from’. An empowering message that began to shift the perception that babies only come from natural conception. We literally rewrote the story of conception. We wrote a children’s story, nay a celebration, of the way 40 Australian babies a day come into the world. The book joyfully explains where IVF kids come from, making every IVF child feel included and proud. Then we turned our attention to the rest of Australia, launching a film for adults that acknowledged the provocative truth of everyone’s IVF journey, soundtracked by the iconic Salt N Peppa ‘Let’s talk about Sex’. The celebrated the different fertility journeys, and the myriad of difficulties faced, and ultimately film normalised IVFby showing it as a natural extension of the process. Now, when someone asks “Where do babies come from”, you can tell them that same story, but you can also add “they come from Genea too.”