| Title | TOKYO 2020 VIRTUAL ENCOURAGEMENT CEREMONY |
| Brand | JAPANESE OLYMPIC COMMITTEE |
| Product / Service | TEAM JAPAN |
| Category | A02. Digital Illustration |
| Entrant | DENTSU INC. Tokyo, JAPAN |
| Idea Creation | DENTSU INC. Tokyo, JAPAN |
| Media Placement | DENTSU INC. Tokyo, JAPAN |
| PR | DENTSU INC. Tokyo, JAPAN |
| Production | DENTSU LIVE INC. Tokyo, JAPAN |
| Production 2 | IMAGICA LAB Tokyo, JAPAN |
| Production 3 | DENTSU CREATIVE X INC. Tokyo, JAPAN |
| Production 4 | IMAGICA LAB Tokyo, JAPAN |
| Post Production | MPLUSPLUS CO., LTD. Tokyo, JAPAN |
| Post Production 2 | WATANABEJUNPEI SHA Tokyo, JAPAN |
| Post Production 3 | BIRDMAN Tokyo, JAPAN |
| Post Production 4 | ROBOT COMMUNICATIONS INC. Shibuya, JAPAN |
| Post Production 5 | WAIWAILUA INC Tokyo, JAPAN |
| Additional Company | DRAWIZ ,INC. Tokyo, JAPAN |
| Additional Company 2 | BISHOP MUSIC CO., LTD. Tokyo, JAPAN |
| Additional Company 3 | ADC INC. Tokyo, JAPAN |
| Additional Company 4 | TRUNK INC. Tokyo, JAPAN |
| Name | Company | Position |
|---|---|---|
| Atsushi Otaki | Dentsu Inc. | Creative Director |
| Shinya Miura | Dentsu Inc. | Planner |
| Naomi Okamura | Dentsu Inc. | Art Director |
| Kosuke Takahashi | Dentsu Inc. | Planner |
| Chiemi Manako | Dentsu Inc. | Copywriter |
| Kazuya Miyata | Dentsu Inc. | Planner |
| Shigeki Tomiyama | Dentsu Inc. | Account Director |
| Tomoyasu Higuchi | Dentsu Inc. | Account Manager |
| Shotaro Shimomoto | Dentsu Inc. | Account Manager |
| Marie Hoshino | Dentsu Inc. | Account Manager |
| Sekiko Yamaguchi | Dentsu Inc. | Account Manager |
| Naoya Sano | Dentsu Inc. | Account Manager |
| Shohei Maeda | Dentsu Inc. | PR Planner |
| Takayuki Shindo | Dentsu Live Inc. | Producer |
| Daisuke Hashimoto | Dentsu Live Inc. | Producer |
| Haruka Mayuyama | Dentsu Live Inc. | Producer |
| Nanami Iizuka | Dentsu Live Inc. | Producer |
| Yoshiya Morinaga | Dentsu Live Inc. | Planning Director |
| Junpei Watanabe | Watanabejunpeisha Inc. | Copywriter |
| Shogo Kariya | WaiWaiLua, Inc. | Director |
| Haruyuki Moroishi | IMAGICA EEX Inc. | Producer |
| Yosuke Suzuki | IMAGICA GROUP Inc. | Producer |
| Masasuke Hayakawa | IMAGICA EEX Inc. | Producer |
| Norifumi Furuya | IMAGICA EEX Inc. | Creative Director |
| Haruhisa Shinzaki | ROBOT Communications Inc. | Producer |
| Takeshi Yoshihara | ROBOT Communications Inc. | Producer |
| Ryoei Nakashima | ROBOT Communications Inc. | Line Producer |
| Shintaro Ochi | ROBOT Communications Inc. | Production Manager |
| Yohei Sako | TRUNK Inc. | Director |
| Ryo Morita | FREE LANCE | Director |
| Yu Ogura | ADC Inc. | Cinematographer |
| Naoya Miyadai | drawiz ,inc. | CG DIRECTOR |
| Taro Fujiwara | BISHOP MUSIC CO., LTD. | Sound Designer |
| Ryotaro Omori | Dentsu Creative X Inc. | Film Producer |
| Kei Sato | Dentsu Creative X Inc. | Web Director |
| Shota Tanaka | Dentsu Creative X Inc. | Movie Director |
| Junya Hoshikawa | Birdman Inc. | Art Director |
| Kenichiro Tanaka | Birdman Inc. | Designer |
| Shudai Matsumoto | Birdman Inc. | Technical Director |
| Shunpei Torii | Birdman Inc. | Developer |
| Keita Tashiro | Birdman Inc. | Developer |
| Ryota Asano | Birdman Inc. | Motion Designer |
| Minoru Fujimoto | mplusplus Co., Ltd. | Lighting Choreographer |
| Makiko Nakata | mplusplus Co., Ltd. | Coordinator |
| Toshiki Yoshiike | mplusplus Co., Ltd. | Motion Designer |
| Yuji Shirasu | mplusplus Co., Ltd. | Motion Designer |
| Tatsuhiko Suzuki | mplusplus Co., Ltd. | Motion Designer |
| Nana Fumiki | mplusplus Co., Ltd. | Technical Engineer |
| Hinano Hasegawa | mplusplus Co., Ltd. | Technical Engineer |
| Yukako Takeuchi | mplusplus Co., Ltd. | Technical Engineer |
In response to this situation, on July 6, 2021, we held the TOKYO 2020 Virtual Encouragement Ceremony, the first-ever online encouragement ceremony for athletes. Real shows of support and cheering from all over Japan were delivered to the athletes on stage at the Digital National Stadium.
In the digital national stadium reproduced by 3D technology. Japan's best volumetric capture technology. A live performance by a national artist was held using Japan's best volumetric capture technology. The live performance was delivered to the remote participants in real time. In addition, words of support and cheering figures collected from all over Japan were displayed on the screen. This made it possible to visualize the feelings of support that were difficult to deliver through the Corona disaster. In addition, ribbons and flags using the latest LED technology were used. The performance symbolized the light of hope, using ribbons and flags with the latest LED technology to encourage the athletes who were challenging the Olympic Games under uncertain circumstances.