Title | FORGET ABOUT HUSTLING FOR A BIT |
Brand | NETFLIX |
Product / Service | RIRAKKUMA AND KAORU |
Category | D01. Standard Sites |
Entrant | DENTSU INC. Tokyo, JAPAN |
Idea Creation | DENTSU INC. Tokyo, JAPAN |
Production | D2C Tokyo, JAPAN |
Production 2 | TOHOKUSHINSHA FILM CORPORATION Tokyo, JAPAN |
Production 3 | J.C. SPARK Tokyo, JAPAN |
Production 4 | TYO INC. Tokyo, JAPAN |
Name | Company | Position |
---|---|---|
Noriaki Onoe | DENTSU INC. | Creative Director / Planner / Copywriter |
Masatoshi Kurita | DENTSU INC. | Copywriter |
Genki Akiyama | DENTSU INC. | Copywriter |
Kimiko Sekido | DENTSU INC. | Art Director |
Orie Azuma | J.C. SPARK INC. | Designer |
Hirokazu Minegishi | dwarf inc. | Animator |
Uroku _ | amana inc. | Photographer |
Aya Sato | amana inc. | Photo Producer |
Takuto Abe | amana inc. | Photo Producer |
Ren Arai | amana digital imaging inc. | retoucher |
Daisuke Takahashi | D2C dot Inc. | Producer |
Noriaki Tozaki | Nissho Co., Ltd. | Print Producer |
Masahito Kobayashi | dwarf inc. | Director |
Kan Sugiki | dwarf inc. | Lightman |
Hirokazu Minegishi | dwarf inc. | animator |
Kenta Shinohara | dwarf inc. | animator |
Asako Harada | IMAGICA Lab. | Colorist |
Makoto Hotari | IMAGICA Lab. | Editor |
Tadao Yasue | Freelance | SE |
Katsuki Yamaura | Freelance | CG Director / CG Producer |
Hiroyuki Suzuki | IMAGICA Lab. | Mixer |
Yuriko Okada | dwarf inc. | Producer |
Daiki Ito | dwarf inc. | Producer |
Shota Sawabe | TOHOKUSHINSHA FILM CORPORATION | Producer |
Yusuke Miyazaki | dwarf inc. | Production Manager |
Momo Hiramatsu | dwarf inc. | Production Assistant |
Ryuji Enyama | TOHOKUSHINSHA FILM CORPORATION | Production Manager |
"For a two-week period, our ads took over a carriage on Japan’s busiest commuter train (30 million weekly passengers) frequently used by the target audience. In Japan, onboard train ads are placed according to the type of product advertised. Taking advantage of this characteristic, we replaced the various advertisements with graphics containing only the underlying messages those ads try to convey. In doing so, we highlighted the stresses caused by advertising and connected this to content promotion, with character graphics displayed in the same carriage asking, ‘Aren’t we pushing ourselves too hard?’ "
Japan’s trains are filled with advertising. To make matters worse, the messages within these ads – ‘Slim down for summer’, ‘Learn English to survive’, ‘You need to find a new job’ - all serve to spur anxiety. These are the spaces through which people commute to work each day. Many also feel stress on account of the numerous unwritten rules within Japanese society.