Title | BEYOND TIME |
Brand | SHISEIDO |
Product / Service | GLOBAL INNOVATION CENTER |
Category | G02. Spatial Tech |
Entrant | R/GA TOKYO, JAPAN |
Idea Creation | R/GA TOKYO, JAPAN |
Idea Creation 2 | SHISEIDO CO., LTD. Tokyo, JAPAN |
Production | R/GA TOKYO, JAPAN |
Production 2 | NOMURA Tokyo, JAPAN |
Production 3 | TYO CAMP KAZ Tokyo, JAPAN |
Name | Company | Position |
---|---|---|
Niklas Lilja | R/GA Tokyo | Executive Creative Director |
Anthony Baker | R/GA Tokyo | Executive Technology Director |
Seamus Higgins | R/GA Sydney | VP Chief Creative Officer APAC |
Toru Nagahama | R/GA Tokyo | Design Director |
Jedy Chen | R/GA Tokyo | Senior Creative Technologist |
Naru Kudo | R/GA Tokyo | Senior Producer |
Aleksandra Nowacka | R/GA Tokyo | Producer |
Marvin Varela | R/GA Tokyo | Senior Software Engineer |
Ayumu Nagamatsu | R/GA Tokyo | Senior Software Engineer |
Kumi Tominaga | R/GA Tokyo | Creative Technology Director |
Tyler Bowers | R/GA Tokyo | Associate Creative Director |
Mark Lloyd Ruck | R/GA Tokyo | Associate Creative Director |
Reynan Shimada | R/GA Tokyo | Experience Designer |
Scott Rothman | R/GA Tokyo | Senior Software Engineer |
Masa Tanaka | R/GA Tokyo | Accociate Creative Director |
Sayaka Ota | R/GA Tokyo | Creative Director |
Jooyoung Lee | R/GA Tokyo | Junior Visual Designer |
Sookie Lee | R/GA London | Designer |
Wing Luo | R/GA New York | Creative Director & Senior Technical Director |
Bill Feng | R/GA Tokyo | Junior Software Engineer |
Kiran Lokhande Hansen | R/GA Los Angeles | Experience Design Director |
Keisuke Nakajima | R/GA Tokyo | Senior Strategist |
Mariko Futamura | R/GA Tokyo | Senior Art Director |
Makiko Miyake | R/GA Tokyo | Copywriter |
Naoto Hieda | R/GA Tokyo | Senior Software Engineer |
Tomoya Matsuura | R/GA Tokyo | Software Engineer |
George Sugitomo | R/GA Tokyo | Executive Creative Director |
Masayuki Tanaka | R/GA Tokyo | Senior Copywriter |
Ikuo Toyama | R/GA Tokyo | Creative Director |
Debbie Pan | R/GA Tokyo | Art Director |
Abe Chuang | R/GA Tokyo | Copywriter |
Scott Kundert | R/GA Tokyo | Senior Producer |
Mariko Oka | R/GA Tokyo | Accout Director |
Yosuke Suzuki | R/GA Tokyo | Managing Director |
Joanna Saw | R/GA Singapore | Tech Intern |
Tetsuro Kanegae | Shiseido | Executive Creative Director |
Takashi Maruyama | Shiseido | Research Scientist |
Masato Kosukegawa | Shiseido | Chief Creative Director |
Mika Ishii | Shiseido | Producer |
Asuka Hashiguchi | Shiseido | Copywriter |
Maki Kobayashi | Shiseido | Designer |
Keisuke Yoshida | NOMLAB | Designer |
Hiromasa Imaizumi | NOMLAB | Account Director |
Takeharu Hanokizawa | TYO CampKAZ | Producer |
Hiro Kano | NICE RAINBOW | Director |
Kenta Takasaki | TYO SPARK | Director |
Takaya Suzuki | STEP | Producer |
Amariei Catalina | ACTIVE CINE CLUB | Editor |
Azusa Kikuchi | TTR | Editor |
Eri Ueda | TYO CampKAZ | Production Manager |
Eri Ueda | TYO CampKAZ | Production Manager |
In April 2019, Shiseido opened its Global Innovation Center, the world’s largest cosmetics R&D hub of its kind. Located in Yokohama, Japan, this facility was designed to drive innovation, consumer research and future growth for the brand. We were tasked with creating an experience to attract visitors to the opening of the GIC, as well as to demonstrate the brand’s innovativeness and scientific knowledge to change people’s perspectives of one of the oldest cosmetic companies in the world. To achieve these objectives, we built a time machine.
There is beauty in growing old. Beyond Time is an interactive installation designed for friends, family, and loved ones to speak with one another through time. This project is an immersive experience that transports participants into past and future by digitally aging or age-reversing their faces, and then engaging them in dynamically tailored emotional conversations. In doing so, we encouraged people to think differently about the effects of aging on their bodies, and to understand that the most beautiful parts of themselves can actually get better with time.
We targeted a millennial audience of both women and men—both of whom perceived the brand as a “mom’s brand”—towards creating a more innovative and modern perception of Shiseido. To do this, we styled Beyond Time as a higher-concept R&D project designed not to sell more products, but to broaden the definition of future beauty by focusing on emotions and that highlights the brand’s long history of scientific research into the effects of aging.
We combined three high-spec computers, Kinect sensors, IoT connected buttons and multiple 4k cameras to create a fully immersive experience. Working with Nomura Architects, we designed an installation outfitted with synchronized LEDs, directional microphones and speakers, and variable-opacity walls for privacy. We incorporated a century of Shiseido aging research to create a scientifically-accurate facial modeling system that far surpasses the capabilities of popular mobile apps. To protect data rights, we coordinated with research and legal teams to ensure the responsible management and anonymous storage of data within a secure network under strict and clear usage policies agreed upon by participants in advance. We spent 14 months on the project: three months on R&D, five months on prototyping, five months on software development, and one month on location performing round-the-clock construction, testing and tweaking to create an installation piece that has become an iconic fixture within the Shiseido GIC.
In the past six months since its launch, Beyond Time has transported participants through 186,000 years in time and sparked over 10,000 different conversations about aging. Most importantly, we’ve shown more than 3,100 people a more positive way of looking at growing old, and helped them learn just how beautiful the journey can be. The process of developing the project has produced groundbreaking solutions for 3D facial data capture and skin color recognition, and has produced one of the world’s largest databases of 3D facial models with great potential for use in future research into both biogerontology as well as skincare.