Title | VISA- TAP TO PAY WITH VISA. JUST LIKE THAT. |
Brand | VISA INDIA |
Product / Service | CONTACTLESS VISA CARD |
Category | A09. Consumer Services / Business to Business |
Entrant | VISA INC Mumbai, INDIA |
Idea Creation | ISOBAR INDIA Mumbai, INDIA |
Production | OFFROAD FILMS Mumbai, INDIA |
Name | Company | Position |
---|---|---|
Anish Varghese | Isobar India | Chief Creative Officer |
Shekhar Mhaskar | Isobar India | Chief Growth Officer |
Ranjeet Kumar | Isobar India | Creative Director |
Prashant Lodaya | Isobar India | Business Head |
Kenneth Keymer | Isobar India | Senior Copywriter |
Abhimanyu Rathore | Isobar India | Copy Supervisor |
Mayuri Hukeri | Isobar India | Senior Creative Designer |
Nikhita Sancheti | Isobar India | Group Head Art |
Salman Shaikh | Isobar India | Sr. Graphic Designer |
Amrita Dey | Isobar India | Group Head Copy |
Varun Mundra | Isobar India | Group Head Business |
Saumyaa Chitravanshi | Isobar India | Group Head Social |
Taj Ali Naqvi | Isobar India | Agency Head of Films |
Ronit Deb | Isobar India | Associate Agency Producer |
Azim Moollan | Offroad Films | Director |
Khalil Bachooali | Offroad Films | Founder & Executive Producer |
Anirudh Sharma | Offroad Films | Producer |
Every form of technology has early adopters. In India, it’s the millennials. Who’ve transitioned from cassette players to music streaming. Our data-led narrative needed to be: For the millennials, of the millennials, by the millennials and communicate the seamlessness of tapping to pay in millennial lingo – Tap to pay with Visa. Just like that. We created a montage style film with a library of tapping situations, depicting consumer & merchant behavior, with a unique sound arc, cut to the rhythm of life A fly on the wall visual treatment mixed with a New-age Indian fusion soundtrack composed by renowned music director Mikey McCleary, made for a relatable and authentic film, which captured the brand’s ageless progressiveness, and unbound spirit. Our approach to film making tapped into consumers from all walks of life; in turn, creating a slice of life film.
Tapping has been a part of Indian culture since time immemorial. Be it dance forms like Bharatanatyam, playing an instrument like the tabla or even tapping a watermelon before purchase. Which is why, we selected the Dotara - 14th century, 2-string instrument & amalgamated it with warm/happy new-age beats, in order to create a much loved soundtrack, to which our film was cut. To summarize, the campaign was essentially built upon the cultural Indian insight of tapping.