Title | DAY N NITE |
Brand | JAZZY SPORT LTD. |
Product / Service | KOJOE |
Category | A12. Innovation in Production |
Entrant | TAIYO KIKAKU CO., LTD. Tokyo, JAPAN |
Idea Creation | TAIYO KIKAKU CO., LTD. Tokyo, JAPAN |
Production | TAIYO KIKAKU CO., LTD. Tokyo, JAPAN |
Production 2 | STURGEON Tokyo, JAPAN |
Production 3 | FIGLAB Tokyo, JAPAN |
Production 4 | KHAKI Tokyo, JAPAN |
Production 5 | TYO TECHNICAL RANCH Tokyo, JAPAN |
Additional Company | R.MOND Tokyo, JAPAN |
Name | Company | Position |
---|---|---|
Kazuma Kitada | TOKYO / TAIYO KIKAKU Co., Ltd. | Director |
Aika Miyake | TOKYO | Editor |
Masaki Mizuno | Khaki | Editor |
Ko Yamamoto | PPC / TYO TECHNICAL RANCH | Editor |
Yuta Ueno | TOKYO / TAIYO KIKAKU | Producer |
Tomoko Morishige | TOKYO / TAIYO KIKAKU Co., Ltd. | Production Manager |
Yuma Yoshimura | TAIYO KIKAKU Co., Ltd. | Production Manager |
Koki Okamoto | TAIYO KIKAKU Co., Ltd. | Production Manager |
Takeru Mashio | TAIYO KIKAKU Co., Ltd. | Production Manager |
Takahiro Yamanaka | TAIYO KIKAKU Co., Ltd. | Production Manager |
Yuta Echigo | Sturgeon | Cinematographer |
Koshiro Ueno | Freelance | Lighting Director |
ENZO - | R.mond | Art Director |
Yuki Ishikawa | TOKYO / TAIYO KIKAKU Co., Ltd. | Assistant Director |
Masaaki Nishimura | TOKYO / TAIYO KIKAKU Co., Ltd. | Assistant Director |
Ben Conkey | TOKYO | Colorist |
Takeshi Ozaki | TAIYO KIKAKU Co., Ltd. | Visual Effects |
Toru Yokoyama | amanaDESIGN / FIG | Technical Director |
Toru Yokoyama | amanaDESIGN / FIG | Programmer |
Kenji Saito | amanaDESIGN / FIG | Programmer |
Takuma Fujimoto | amanaDESIGN / FIG | Drone Operator |
Kenta Katsuno | TAIYO KIKAKU Co., Ltd. | Digital Artist |
Erito Ayaki | Freelance | Sound Designer |
KOJOE - | Freelance | Music Artist |
Ryo Sugiyama | amanaDESIGN / FIG | Technical |
Noriaki Matsumoto | Freelance | Assistant Photographer |
Ritsu Fujie | Freelance | Assistant Lighting Director |
Daisuke Takemoto | Freelance | Assistant Lighting Director |
In “Day n Nite”, we challenged to push the boundary of filming possibilities by using leading-edge shooting techniques to visualize the possibilities and perplexity of “What if?” moments of choice making.
The film was shot with the world’s first drone motion control system. Combining Drone + camera + OptiTrack (motion capture system), enabled us to achieve intricate yet organic movements, such as navigating narrow spaces, traveling long distances and 360 turns.