Title | THE PARTY BUS |
Brand | SHISEIDO |
Product / Service | MAKEUP |
Category | A10. Animation |
Entrant | SHISEIDO CO., LTD. Tokyo, JAPAN |
Idea Creation | SHISEIDO CO., LTD. Tokyo, JAPAN |
Production | TOWER FILM Tokyo, JAPAN |
Name | Company | Position |
---|---|---|
Masato Kosukegawa | Shiseido Co., Ltd. | Creative Director |
Mika Ishii | Shiseido Co., Ltd. | Producer |
Yoshito Imai | Tower Film | Producer |
Masahiro Kijima | Tower Film | Producer |
Kenji Nishina | Freelance | Line Producer |
Aya Ueki | Shiseido Co., Ltd. | Copy Writer |
Mike Burns | Shiseido Co., Ltd. | Copy Writer |
Tomoaki Yamura | Shiseido Co., Ltd. | Web Director |
Hidenori Tsumoto | Freelance | Production Supervisor |
Sho Yamamoto | Tower Film | Production Manager |
Show Yanagisawa | Freelance | Director |
Senzo Ueno | Freelance | Cinematographer |
Senzo Ueno | Freelance | Cinematographer |
Akio Fujita | Freelance | Camera Assist |
Masachio Nishida | Freelance | Lighting Director |
Isao Kato | Freelance | Lighting Assist |
Yui Miyamori | Freelance | Production Designer |
Takeru Sakai | Freelance | Stylist |
Arisa Shimoda | Freelance | Stylist Assist |
Hirofumi Kera | Shiseido Co., Ltd. | Hair&Makeup |
Sawako Yuri | Shiseido Co., Ltd. | Hair&Makeup |
Sachiko Hayashi | Shiseido Co., Ltd. | Hair&Makeup |
Jun Nakamura | Shiseido Co., Ltd. | Hair&Makeup |
Kumiko Kurogi | Shiseido Co., Ltd. | Hair&Makeup |
Yuka Ishiduka | Shiseido Co., Ltd. | Hair&Makeup |
Rei Matsui | Shiseido Co., Ltd. | Hair&Makeup |
Nannan Shindo | Shiseido Co., Ltd. | Hair&Makeup |
Ayako Okudo | Office SABFA | Hair&Makeup |
Midori Suzuki | Office SABFA | Hair&Makeup |
Mai Ozeki | Office SABFA | Hair&Makeup |
Seiko Harada | Office SABFA | Hair&Makeup |
PSYCHE . | Freelance | Choreographer |
Yuko Yamamoto | Freelance | Management of Choreographer |
AYANA . | Freelance | Dancer |
AIRI . | Freelance | Dancer |
SAORI . | Freelance | Dancer |
Kenji Nishina | Freelance | Casting |
Yoshiko Inada | PROCEED CO., Ltd. | Casting |
Ryogo Tachiwada | Chapters film | DIT |
Shigeru Hagiwara | KYOURITSU KOUGEI Co,Ltd | Motion Control Chief Operator |
Keisuke Yamamoto | KYOURITSU KOUGEI Co,Ltd | Motion Control Operator |
Kenichi Sasaki | IEMOTO inc. | Flame Artist |
Takashi Tanaka | Freelance | Editer |
Futoshi Yamauchi | slanted | 3D CG Director, Production Head |
Naohiro Kawaguchi | Freelance | 3D CG Director |
Shinji Santoh | Freelance | 3D CG Executive Producer |
Atsushi Ueta | Freelance | 3D CG Production Manager |
Erito Ayaki | Freelance | Mixer |
Masayuki Sato | Freelance | Mixer |
Kazuyoshi Tonami | YUGE inc. | MUSIC Director |
Yuma Yamaguchi | Freelance | MUSIC Composer |
Mara Carlyle | Freelance | MUSIC Singer |
Yoshio Nakamura | Freelance | Sound Efect |
Masanobu Hiraoka | Caviar | 2D Animation |
Masaki Watanabe | Freelance | Title layout |
Ben Conkey | TOKYO | Colorist |
Hanako Tabata | Freelance | Editer |
ELENA AN | Freelance | Cast |
Rina Fukushi | Freelance | Cast |
ENDo . | Freelance | Cast |
A journey into the night. A costume party in full flow. But Princess Kaguya has a decision to make: Samurai Zombie or Dracula?
Creating a website movie to communicate “power of makeup” in the season of Halloween. Under the concept of “Makeup makes you brave,” we created a story where a woman confesses her love another woman. LGBT issues is not often discussed or brought up in Japan, but Shiseido became the first leading company in Japan that created a movie with this particular theme.
To complete this time-lapse animation, we shot 2000 pieces of high-resolution-photographs, and stated 4-days studio-shooting. The actresswas taken a picture that herhead was completely fixed and the motion-control-camera moved in millimeters with a carefully calculated trajectory around herface. Since the content runs through whole day, wehad to reproduce lighting from night to morning and morning to evening together with the movement of the camera. It was shooting with a steady manual operation that changes the lighting around the sun changing every minute every frame. To synthesize the animation of makeup character, we used the lighting data of all cuts of panoramic camera recorded at the studio. We corrected the position of herface one-by-one manually, successfully tracking. Since the camera moves around herface, it was challenging to match with the animation of makeup Showcasing unprecedented ‘time-lapse-animation with humanbeing’ technology, the film captures the vitality of fantasy world in deep immersive way.