Title | LIFELIVE |
Brand | SAMSUNG |
Product / Service | GEAR VR |
Category | A04. Innovative Technology for Mobile |
Entrant | LEO BURNETT SYDNEY, AUSTRALIA |
Entrant Company | LEO BURNETT SYDNEY, AUSTRALIA |
Advertising Agency | LEO BURNETT SYDNEY, AUSTRALIA |
Media Agency | STARCOM MEDIAVEST GROUP Sydney, AUSTRALIA |
PR Agency | EDELMAN Sydney, AUSTRALIA |
Production Company | RAPID VR Sydney, AUSTRALIA |
Name | Company | Position |
---|---|---|
Andy Dilallo | Leo Burnett Sydney | Chief Creative Officer |
Mark Tutssel | Leo Burnett Chicago | Global Chief Creative Officer |
Vince Lagana | Leo Burnett Sydney | Art Director |
Grant Mcaloon | Leo Burnett Sydney | Copywriter |
Jeremy Devilliers | Leo Burnett Sydney | Executive Print Producer |
Bruno Nakano | Leo Burnett Sydney | Art Director |
Jason Young | Leo Burnett Sydney | Typographer |
Amanda Quested | Leo Burnett Sydney | Client Service Director |
Laura Dowling/Grace Kluver | Leo Burnett Sydney | Account Management |
Christopher Baron | Leo Burnett Sydney | Director/Editor |
Matthew Gain | Edelman PR | Chief Operating Officer |
Carla Webb | Edelman PR | Associate Director |
Susannah DiLallo | Rapid VR | Executive Producer |
Dave Klaiber | Rapid VR | Director - Perth |
Taylor Steele | Rapid VR | VR Video Director |
Kodaline | Band | Band |
Andrew Stevenson | We Love Jam | Sound Design |
Earle Dresner | Rapid VR | DOP |
Ben Nott | Rapid VR | DOP |
Kate Spencer / Mathew Wu | Edelmen | Acct Mgmt / Tech |
The story of the lead up to the birth, and how the technology would bring our separated parents together, formed the basis of a mini-documentary. This content was launched on Facebook and Youtube and was spread via social media and a global PR strategy targeting mainstream consumer, technology and trade outlets along with paid media. Two pieces of branded video content were created - a longer form launch piece and a shorter follow up piece. Our ambition was to create content that didn’t just highlight the technology, but its human applications, thereby driving mass viewing and brand love for Samsung.
Samsung removed the tyranny of distance, creating a new class of memories that have never previously existed – memories that only our technology can make possible. Over 15 million views globally. Over $10 million earned media. Social platform engagement: 4.9 million Social media impressions: 17.6 million. 65% organic views.
Our objective was to create content that launched Samsung’s Gear VR in a way that humanised the technology in order to shift brand perception and drive brand love. To do this we created Samsung LifeLIVE, a project that used VR technology to overcome the tyranny of distance and let people experience life-changing moments they would otherwise miss in a new way. Our first project brought together two people separated by over 4,000kms so they could share the birth of their third child together. It was the world’s first live VR birth. Central to the experience was the Samsung Galaxy Note 4, the mobile device that sits are the heart of the Samsung Gear VR headpiece. The PR strategy supporting the resulting documentary-style film helped drive mass talkablity and buzz via global PR coverage, not only amongst consumers but also technology and trade media.