Title | AMAZON NEW YEARS BRANDING |
Brand | AMAZON |
Product / Service | AMAZON SITE |
Category | C01. Use of Music |
Entrant | SYN Tokyo, JAPAN |
Idea Creation | AMAZON JAPAN Tokyo, JAPAN |
Production | SYN Tokyo, JAPAN |
Name | Company | Position |
---|---|---|
Alessandro Agnini | Amazon Japan G.K. | Executive Creative Director |
Yoosun Jung | Amazon Japan G.K. | Creative Director |
Naohiro Uemura | Amazon Japan G.K. | Copywriter |
Keigo . | Amazon Japan G.K. | Art Director |
Yuki Omata | Amazon Japan G.K. | Agency Producer |
Mark Wallace | Amazon Japan G.K. | Head of XCM |
Yoko Tsukamoto | Amazon Japan G.K. | XCM Campaign Manager |
Masashi Hanzawa | Amazon Japan G.K. | Executive Producer |
Ryuko Noda | Amazon Japan G.K. | Digital Video Creative Director |
Kazuhiro Masuda | Amazon Japan G.K. | Digital Video Director |
Iker Chan | Amazon Japan G.K. | Digital Motion Graphic Artist |
Kentaro Nobori | Amazon Japan G.K. | Digital Video Producer |
Nick Wood | Syn Music | CEO & Creative Director |
Kaz Haga | Syn Music | Music Producer |
Yuji Hagiwara | Syn Music | Composer |
Alan Mawdsley | Syn Music | Music Director |
Swinky . | Freelance | Vocalist |
Nahuel Salcedo | Onesal Studio | Founder & Creative Director |
Damian Sendin | Onesal Studio | Art Director |
Ailin Brunner | Onesal Studio | Head Of Production |
Feng Li | Onesal Studio | Executive Producer |
Lucia Gutkin | Onesal Studio | Producer |
Martin Paris | Onesal Studio | Scriptwriters |
Maria Belen Guerra | Onesal Studio | Treatment Desinger |
Koji Obara | Onesal Studio | Editor |
Sho Aiuchi | Onesal Studio | Flame Artist |
Shusei Fujita | Onesal Studio | FLAME ARTIST |
Tsuchiya Seri | Onesal Studio | Flame Artist |
Daido Emiko | Imagica Labs | Flame Artist |
Lilen Herrera | Onesal Studio | Designer |
Friedrich Neumann | Onesal Studio | Designer |
Liam Pitchford | Onesal Studio | Designer |
Yoritomo Shoji | Onesal Studio | R&D |
Nahuel Sagarnaga | Onesal Studio | Storyboard Artist |
Sam Humphries | Onesal Studio | Animation |
Kobayashi Ryo | Onesal Studio | Animation |
Martin Ollo | Onesal Studio | Animation |
Rodrigo Lopez | Onesal Studio | Animation |
Ruben Stremiz | Onesal Studio | Animation |
Máximo Ponz | Onesal Studio | Animation |
David Kvien | Onesal Studio | Animation |
Esteban Blazquez | Onesal Studio | Animation |
Mateo Vallejo | Onesal Studio | Computer Artist |
Juan Miyagi | Onesal Studio | Computer Artist |
Mariano A Ruiz | Onesal Studio | Computer Artist |
Gabriel Quintana | Onesal Studio | Computer Artist |
In this rearrangement of a traditional Japanese song called ‘Oshogatsu’, we reimagined an otherwise childlike and highly recognised melody in a gentle, gospel arrangement. ‘Oshogatsu’ means ‘New Year’s Day’ in Japanese, and this campaign welcomes in 2021 with a positive, updated, breezy re-arrangement of this nostalgic, traditional song. The original song is considered overplayed in Japanese culture, so overcoming this ‘cheesy’ association was something we thought a gospel rearrangement would achieve, giving a fresh perspective and a modern tilt. Having composed the music for a number of other seasonal campaigns around the same time as this project, consistency was essential. This campaign fell at the end of a series of seasonal content, and therefore has significance in both theme and positioning. Welcoming in the new year with an open heart was central to this campaign, and central to the musical identity of the track.
English translation of the lyrics (original Language Japanese): A few nights left until New Year’s day In the New Year’s holidays, let’s fly kites and let’s play with spinning tops Come come quickly, New Year’s holidays.
In total, 108 vocal layers were recorded to create the texture of this track. The number ‘108’ resonates in Japanese culture as it is also the number of times that the the bells are rung at midnight on New Year’s Eve/Day across Japan’s Buddhist shrines, symbolising the 108 Human Sins in Buddhist belief. The cultural context of the melody of ‘Oshogatsu’ is deeply engrained in Japanese culture, for example it is featured in the internationally acclaimed 1988 Studio Ghibli film, ‘My Neighbor Totoro’.
Encouraging a sense of family and diversity, we worked with a number of different vocalists of different sexes, ages, ranges and styles to create a layered ensemble of 108 vocals. This included a bi-lingual African vocalist in L.A., 2 female Japanese singers, a Japanese baritone Opera Singer and the voice of a little girl. Close harmonies, warm backing vocals and characterful voices combine in this fun and friendly campaign to give a sense of positivity and shared humanity, further upholding the animation’s characters and giving the impression of a community of Amazon boxes, welcoming in the New Year together!