| Title | AI MANGA ~TEZUKA2020~ |
| Brand | KIOXIA CORPORATION |
| Product / Service | CORPORATION ADVERTISEMENT |
| Category | C05. Cultural Insight |
| Entrant | WUNDERMAN THOMPSON TOKYO, JAPAN |
| Idea Creation | WUNDERMAN THOMPSON TOKYO, JAPAN |
| Media Placement | KODANSHA Tokyo, JAPAN |
| Production | WUNDERMAN THOMPSON TOKYO, JAPAN |
| Production 2 | GEEK PICTURES INC. Tokyo, JAPAN |
| Name | Company | Position |
|---|---|---|
| Takayuki Niizawa | Wunderman Thompson Tokyo | Chief Creative Officer |
| Shinichi Niizeki | Wunderman Thompson Tokyo | Creative Director |
| Tetsuya Mita | Wunderman Thompson Tokyo | Senior Copy Writer |
| Satoko Iida | Wunderman Thompson Tokyo | Associate Creative Director |
| Haruka Kawazoe | Wunderman Thompson Tokyo | Designer |
| Daisuke Tsutsui | Wunderman Thompson Tokyo | Account Director |
| Mihoko Mori | Wunderman Thompson Tokyo | Account Manager |
| Mitsuru Sato | Wunderman Thompson Tokyo | Strategic Planning Director |
| Asami Hirano | Wunderman Thompson Tokyo | Strategic Planner |
| Hidemitsu Yokoi | Wunderman Thompson Tokyo | Creative Business Producer |
| Kazuma Uesu | GEEK PICTURES INC. | Pruducer |
| Yuya Matsuno | GEEK PICTURES INC. | Production Manager |
| Ren Ando | GEEK PICTURES INC. | Production Manager |
Publishing in WEEKLY MORNING magazine meant that AI is now publicly categorized as a Manga artist. When the project team first asked the editorial desk to publish, they had a negative response. They did not qualify AI as a Manga artist because the project was a collaborative work between AI machines and humans. After numerous discussions, the team prepared a 4-page special feature (Attachment 2) for the opening page of the magazine to clarify what AI can do and what only humans can do, disclosing the whole process of this project. As a result, it emphasized the gravitas of this project as well as the greatness and profound creativity of Osamu Tezuka who worked on stories, characters, lines, layout and drawing all by his own.