Title | 10 SEC. DRAMA: THE STOP LINE OF LOVE - SEASON 2 - |
Brand | JMS/TOYOTA MOBILITY PARTS |
Product / Service | CAR ACCESSORIES |
Category | B03. Durable Consumer Goods including Automotive |
Entrant | HAKUHODO INC. Tokyo, JAPAN |
Idea Creation | HAKUHODO INC. Tokyo, JAPAN |
Idea Creation 2 | HAKUHODO KETTLE INC. Tokyo, JAPAN |
Production | TOHOKUSHINSHA FILM CORPORATION Tokyo, JAPAN |
Name | Company | Position |
---|---|---|
Yusuke Kanda | HAKUHODO | Creative Director |
Genta Ito | HAKUHODO Kettle | Creative Director |
Yusuke Kanda | HAKUHODO | Scriptwriter |
Kentaro Kimura | HAKUHODO Kettle | Executive Creative Director |
Masanobu Hino | HAKUHODO Kettle | Agency Producer |
Yoshinori Sasahara | HAKUHODO Kettle | Agency Producer |
Koji Joke | TOHOKUSHINSHA FILM CORPORATION | Producer |
On Matsui | TOHOKUSHINSHA FILM CORPORATION | Producer |
Daisuke Hirata | TOHOKUSHINSHA FILM CORPORATION | Director |
Shingo Gima | Diamond SNAP | Cinematographer |
Tomokazu Tsukioka | NEWS | Lighting |
Saori Kiriyama | TOHOKUSHINSHA FILM CORPORATION | Production Manager |
Shizuru Kishinami | TOHOKUSHINSHA FILM CORPORATION | Production Manager |
Yumiko Nagasaku | Free | Stylist |
Ai Sugita | Free | Hair make |
Futa Akashi | STUD | Editor |
Shiki Adachi | Omnibus Japan | Sound Design Arrangement |
The series is the sequel of “10 sec. Drama: The Stop Line of Love (Episode 1–14)”. It takes an innovative form of 10 sec. commercial drama series promoting the varied product lineup of JMS, a Japanese car accessory and maintenance store, and aim to boost the awareness of JMS. The episodes were created in a soap opera style with a middle-aged man who has slid into a complicated love triangle with his subordinate, Sayo, his ex-wife, Michiko, and many others with the quick tempo of its progressing storyline in a 10-second per episode. Having cars and the quick development of the characters’ love relationships intertwined, the composition of the series was designed to make them “a watch-it-once-and-you’re-hooked” series.
Many people in Japan nowadays prefer stories with quick story development. That made us hit upon an innovative form of telling a love relationship drama with a quickly progressing storyline in a 10 second episode. The episodes depict “the quick development of a love relationship due to car maintenance” designed to fit in the composition so that even Japanese who get easily bored would be hooked and watch them all. The series succeeded in creating a growing fan base as new episodes rolled out. This was due to quick yet subtle changes in characters emotions that many Japanese can easily relate to, instead of dynamic story development often seen in the overseas dramas.