Title | FORD FOCUS 5 |
Brand | FORD NEW ZEALAND |
Product / Service | CARS |
Category | A09. Sound Design |
Entrant | J. WALTER THOMPSON NEW ZEALAND Auckland, NEW ZEALAND |
Entrant Company | J. WALTER THOMPSON NEW ZEALAND Auckland, NEW ZEALAND |
Advertising Agency | J. WALTER THOMPSON NEW ZEALAND Auckland, NEW ZEALAND |
Production Company | PERCEPTUAL ENGINEERING Auckland, NEW ZEALAND |
Name | Company | Position |
---|---|---|
Cleve Cameron | J. Walter Thompson, New Zealand | Executive Creative Director |
Cleve Cameron | J. Walter Thompson, New Zealand | Creative |
Sam Dickson | J. Walter Thompson, New Zealand | Copy Writter |
Salah Ben-Brahim | J. Walter Thompson, New Zealand | Junior Creative |
Fraser Kirby | J. Walter Thompson, New Zealand | Junior Creative |
Glenn Chapman | J. Walter Thompson, New Zealand | Head of Design |
Jaqueline Smart | J. Walter Thompson, New Zealand | Head of Planning |
Dominic Henshall | J. Walter Thompson, New Zealand | Group Account Director |
Natalie Allen | J. Walter Thompson, New Zealand | Account Director |
Alex Wilson | J. Walter Thompson, New Zealand | Account Executive |
Mary Wall | J. Walter Thompson, New Zealand | Agency Producer |
Peeyoosh Chandra | J. Walter Thompson, New Zealand | Head of Interactive |
Jon Baxter | Perceptual Engineering | Director / Cinematographer / SFX |
Kerry Prendeville | Perceptual Engineering | Producer |
Peter Hobbs | Harmonic | Sound Designer / Online Mix |
Kevin Hyde | Image Craft | 3D Logo Design |
Bruce Langley | Digital Post | Cinema Master Mix |
Leon Williams | J. Walter Thompson, New Zealand | Digital Art Director |
Fiona Sheffield | J. Walter Thompson, New Zealand | Digital Producer |
Mel Grogan | J. Walter Thompson, New Zealand | Digital Producer |
By using immersive 3D recording technology we placed the viewer right at the centre of a spine-tingling driving performance. This was combined with stereoscopic filming techniques to capture the performance simultaneously in 3D Audio and 3D Video. Before any performance could begin precision drivers were choreographed using computer modelling. The captured data was the meticulously engineered for surround sound and 3D in Cinema.