Title | MULTINATIONAL TYPEFACE |
Brand | GREY GROUP SINGAPORE |
Product / Service | GSK UNIT @ GREY SINGAPORE |
Category | B02. Typography |
Entrant | GREY GROUP Singapore, SINGAPORE |
Entrant Company | GREY GROUP Singapore, SINGAPORE |
Advertising Agency | GREY GROUP Singapore, SINGAPORE |
Name | Company | Position |
---|---|---|
Till Hohmann | Grey Group Asia Pacific | Executive Creative Director |
Antonio Bonifacio | Grey Group Singapore | Creative Director |
Luis Fabra | Grey Group Singapore | Art Director/Typographer |
Nasheet Shadani | Grey Group Singapore | Art Director |
Nirvik Singh | Grey Group Singapore | Chairman/Ceo Asia Pacific |
Tom Evans | Grey Group Singapore | Client Services Director Apac |
Lynn Chow | Grey Group Singapore | Global Account Director |
Judd Labarthe | Grey Group Singapore | Global Strategy Director |
Bobby Koh | Grey Group Singapore | Production Manager |
Alina Kessel | Grey Group Global | Managing Director Global Client Services |
Subbaraju Alluri | Grey Group Singapore | Chief Executive Officer |
Darren Leong | Grey Group Singapore | Junior Art Director |
Many say they are 'global networks'. Often it boils down to an aggregation of merely local agencies. In our case it's different. People from 12 nations, with working experience in 49 markets, and responsibility for 106 countries. We needed a tool to casually but distinctively deliver this message across a wide variety of materials. Hence creating a unique typeface to be used for office design/signage and collateral materials felt like the right way to go - exciting the team (creating identity), informing clients and suppliers (updating perception) and reaching out to other network offices (displaying global understanding).
Create an identity tool that underlines the multinational setup and global perspective of the new hub team of GREY Singapore responsible for running regional and global GSK business. This is a key business unit and it is positioned as a global hub team facing suppliers, clients and all other network offices.
The multinational typeface is a display font based on two parameters: it abstracts the geometric shapes as well as the colors found in national flags. Each country a team member comes from, has worked in and all countries we are now responsible for are represented via the first letter of the country name. Thus the fond does not have 26 letters but 106 that can be used in combination. It creates an interesting balance of global and local by default: no letter/country works on its own - making it an ideal tool to convey purpose and openness.
The font instantly created impact and had a unifying effect for the team as it was used for the actual office design and for in office collateral. More importantly, it already 100% uplifted the perception of the new team - clients are seeing and feeling a difference: this new team is truly different; it 'gets' the world (based on client evaluations pre and post). Other offices are responding positively to the fact that the team really is worldlier. Also the "world's first multinational typeface" has received wide coverage: thousands of online views, hundreds of positive blog posts and articles.