Title | GREY WIGGLE |
Brand | UBER EATS |
Product / Service | UBER EATS |
Entrant | SPECIAL Sydney, AUSTRALIA |
Idea Creation | SPECIAL Sydney, AUSTRALIA |
Media Placement | MEDIACOM Sydney, AUSTRALIA |
PR | HERD MSL SYDNEY, AUSTRALIA |
Production | FINCH Sydney, AUSTRALIA |
Production 2 | CHEE PRODUCTIONS Sydney, AUSTRALIA |
Post Production | ARC EDIT Sydney, AUSTRALIA |
Post Production 2 | RUMBLE STUDIOS Sydney, AUSTRALIA |
Name | Company | Position |
---|---|---|
Lucinda Barlow | Uber | Marketing Director APAC |
ANDY MORELY | Uber | HEAD OF MARKETING UBER, ANZ |
DAVID GRIFFITHS | Uber | HEAD OF MARKETING, UBER EATS ANZ |
CHANNA GOONASEKARA | Uber | Marketing Manager |
Ally Doube | Uber | Strategy Lead |
Lindsey Evans | Special Group Australia | CEO |
Cade Heyde | Special Group Australia | CEO |
Julian Schreiber | Special Group Australia | Chief Creative Officer |
Tom Martin | Special Group Australia | Chief Creative Officer |
Max Mckeon | Special Group Australia | Creative Director |
Josie Fox | Special Group Australia | Senior Creative |
Harry Stanford | Special Group Australia | Senior Creative |
Lachlan Stewart | Special Group Australia | Social Lead |
Tori Lopez | Special Group Australia | Head of Business Management |
Caity Cowper | Special Group Australia | Business Director |
Celia Garforth | Special Group Australia | Group Strategy Director |
Sevda Cemo | Special Group Australia | Head of Film & Content / Executive Producer |
Nick Lilley | Special Group Australia | Head of Stills and Digital Production |
Steph Wilkinson | Special Group Australia | Social Producer |
Stacey Szabo | Special Group Australia | Digital Producer |
Fraser Kelton | Special Group Australia | Editor (social) |
Alex Roberts | Finch Company | Director |
Andrew Commis | Finch Company | Cinematographer |
Loren Bradley | Finch Company | Executive Producer |
Nick Simkins | Finch Company | Producer |
Lucas Baynes | Arc Edit | Editor |
Christopher Tovo | Chee Productions | Photographer |
Uber Eats Australia’s ‘Tonight, I’ll be eating… The Grey Wiggle’ campaign was built around a single, central idea, which was then executed across a 360, national brand campaign that ran for 16 weeks across every channel (TV, OOH, radio, online video, digital, social, sports sponsorships, media integrations, influencer content, PR). Content was created bespoke for each channel, with the central storyline of the Grey Wiggle rolling out episodically across the 16 weeks, with fresh content and executions being released throughout - all based on the ‘world’ and characters we created as part of the central idea.
By 2020, the Online Food Delivery category was maturing and growth slowing. As market leader, Uber Eats needed to find new sources of growth beyond its existing heartland audience of urban young professionals, where penetration had almost peaked. Suburban families not only represented the last opportunity for growth, but are higher value customers with larger average ‘basket sizes.’ The problem was, families didn’t think it was a ‘brand for them,’ in part due to the deliberate way the brand’s ‘Tonight, I’ll be Eating’ creative platform had been developed to appeal to a younger audience, who have a very different relationship with the category. This gave us a clear brief for 2021 brand marketing - Evolve the ‘Tonight, I’ll be eating…’ brand campaign to appeal to families (whilst not alienating our heartland audience). Objectives - - Build brand affinity with families. - $0.50 increase in average 'basket value' from family orders.
Building on the 'Tonight, I'll be eating..' campaign, we created a new member of iconic Australian kids band, The Wiggles, who every parent has a love-hate relationship with, having endured years of their annoyingly over-the-top enthusiasm and nursery rhymes on repeat. So to tap into this parental tension, our new Wiggle was the antithesis of their colourful optimism. In fact, he was decidedly Grey and grumpy - played by one of the World's biggest snarks, Simon Cowell. Across an integrated campaign,The Grey Wiggle rejects their optimism and smiles with unadulterated cynicism. He refuses to sing the Uber Eats order. He paints the house grey. He won't share. This was a hilariously exaggerated version of family takeaway-night drama, also highlighting the role a shared meal can play in bridging those differences. Media was booked to align with shared family moments e.g. during movie ad-breaks, across an AFL partnership and at cinemas.
Our strategy needed to shift brand perceptions that Uber Eats is ‘for families’. Research revealed that Australian families have a weekly ‘takeaway night’ (typically Fridays), but they were (a) not using Uber Eats for this (<1%), and (b) were ordering the same thing every week. In digging into it, we discovered that the latter was because parents are more focused on keeping the peace than scrolling through endless food options - and in fact, more options often leads to more arguments. They order the same, simple, shareable family favourites each week in order to keep everyone happy, even though they don’t particularly like the food themselves. This led to the insight - When it comes to takeaway night, parents care more about everyone enjoying the shared occasion than about enjoying the actual food themselves. And strategic proposition - Every family has its differences, but a shared meal brings them together.
The campaign was built around a single, central idea, which was then executed across a 360, national brand campaign that ran for 16 weeks across every channel (TV, OOH, radio, online video, digital, social, sports sponsorships, media integrations, influencer content, PR). Content was created bespoke for each channel, with the central storyline of the Grey Wiggle rolling out episodically across the 16 weeks, with fresh content and executions being released throughout - all based on the ‘world’ and characters we created as part of the central idea. Media was booked to align with shared family moments. For example, during ad breaks in movies, across AFL properties via a partnership and at the cinema. We also built visual links between Uber Eats and shareable family favourites, with ‘craveable food’ communications featuring shareable family meals.
Market-level testing was conducted, with control cities where the campaign didn’t run, allowing us to isolate the impact our work had and exclude any covid-lockdown-related effects. Heralded “the most effective brand campaign to date across Uber Eats APAC”, (Data and Measurement Scientist, Uber Eats Marketing) the 16 week campaign delivered… Business metrics 1.1 million incremental orders $32 million incremental revenue An average of $1.20 increased basket size (more than twice the original objective) 104% increase in ‘group orders’ Creative performance Top messaging take-out (68%): ‘Uber Eats brings families together’ 90% ad awareness (+9% vs previous best benchmark) +11pts consideration after watching ads +20pts brand preference after watching ads +16pts purchase intent after watching ads 40.3 million earned reach