POCKY THE GIFT

TitlePOCKY THE GIFT
BrandEZAKI GLICO CO., LTD.
Product / ServicePOCKY THE GIFT
CategoryC05. Customer Retail / In-Store Experience
EntrantDENTSU INC. Tokyo, JAPAN
Idea Creation DENTSU INC. Tokyo, JAPAN
Media Placement DENTSU INC. Tokyo, JAPAN
PR DENTSU INC. Tokyo, JAPAN
Production PEN. Tokyo, JAPAN
Production 2 CREATIVE POWER UNIT Tokyo, JAPAN
Production 3 DENTSU LIVE INC. Tokyo, JAPAN
Production 4 ENGINE FILM Tokyo, JAPAN
Additional Company FUMIHITO KATAMURA PHOTOGRAPH OFFICE Tokyo, JAPAN

Credits

Name Company Position
Yoshihiro Yagi DENTSU INC. Creative Director
Haruko Tsutsui Dentsu Inc Copywriter
Taiji Kimura PEN.Inc. Designer
Haruko Nakatani Creative Power Unit Designer
Satomi Okubo DENTSU INC. Designer
Takuya Fujita DENTSU INC. Planner
Ryoya Sugano DENTSU INC. Planner
Mai Umegae DENTSU LIVE INC. Planner
Kotaro Fujiwara DENTSU LIVE INC. Planner
Hajime Yakushiji DENTSU INC. Planner
Fumihito Katamura KATAMURA PHOTOGRAPH OFFICE Photographer
Scott Lehman Lehmanad Copy Writer
Takuya Demura CAVIA Inc. Director
HORSTON HORSTON HORSTON Director
Suguru Tachikawa ALLd.inc. Animation
Takahiro Ota khaki Co., Ltd. Editor
Toru Sasaki handsome tracks inc. Sound Director
Youhei Tanaka ENGINE FILM INC. Producer
Makoto Sometani ENGINE FILM INC. Producer
Atsushi Komuro ENGINE FILM INC. Production Manager
Jun Okabe ENGINE FILM INC. Production Manager
Sunao Sakurai scab. Retoucher
Takeshi Suehiro Freelance Art
Shinya Tamura Dentsu On Demand Graphic Inc. Printing Director
Takeshi Nishimura Dai Nippon Printing Co., Ltd. Printing Director
Taichi Ogisaka BIKO Co,Ltd Printing Director
Kazuya Onaka DENTSU INC. Account Executive
Yoshitaka Nakano DENTSU INC. Agency Producer
Hidetoshi Hara Sunny. Web Art Director
Kanako Isumi Freelance Web Designer
Ryohei Tsuji STUDIO DETAILS Creative Technologist
Ryusuke Nanki DENTSU INC. Architect
George Amano George Creative Company Limited Architect
Akitomo Sarada George Creative Company Limited Interior Designer
Atsuko Kagawa George Creative Company Limited Interior Designer
Masamitsu Usui DENTSU LIVE INC. Construction manager

Why is this work relevant for Brand Experience & Activation?

Our campaign is relevant to this category because it was specifically designed to activate the brand experience in a historically weak market segment, and was successful in doing so. The brand's signature product, Pocky sticks, is a confectionary that has been Japan’s top-selling chocolate snack for decades. But much of product's success is based on its appeal to teens and adolescents, for whom the social interaction of sharing snacks offers a low-stress way to bond with their peers. Our challenge was to reinterpret this brand experience, and activate it for young adults, where sales were weakest.

Background

The “easy shareability” of Pocky sticks has long made them a favorite of Japanese teens and adolescents, who are often shy, and for whom the interaction of sharing snacks offers a low-stress path to social engagement. In its print advertising and television commercials, the brand had historically focused on this aspect by featuring scenes of heartwarming teenage social bonding experiences with peers and parents. But this messaging was not effective in reaching young, unmarried adults. So our brief was to make the product attractive to this older cohort, and to do it in a way that would not require the use of an expensive above-the-line media campaign.

Describe the creative idea (20% of vote)

Our creative idea was to reimagine Pocky sticks, which are traditionally packaged and sold at supermarkets and convenience stores, and reposition them as a fashionable gift item for social media-conscious young adults. To support the repositioning effort we designed a new packaging system for use exclusively at upscale shops and sales outlets. The goal of this approach was to increase the brand's relevance to young adults by giving them a way to show off their design sense by creating personalized gift assortments, and to earn “likes” on social media by posting images of the gifts they created.

Describe the strategy (20% of vote)

Our strategy was to design a new packaging system exclusively for use at upscale shops and sales outlets where the product had never previously been sold. We deliberately chose not to use the type of high-gloss “glamour-shot” product images that are typically featured on confectionary items sold at supermarkets and convenience stores. Instead, we appealed to the more sophisticated design sense of adult consumers by creating matte-finish packages decorated with stylish and iconic graphic artwork. We also designed multi-package gift boxes in a variety of sizes and colors, and used a branded microsite and newspaper inserts to suggest innovative ways to create mix-and-match assortments of flavors and package colors. The goal of our strategy was to increase the brand's relevance to young adults by giving them a way to show off their design sense and creativity, and to earn “likes” on social media for their photogenic gift assortments.

Describe the execution (30% of vote)

To appeal to the sophisticated design sense of adult consumers, we deliberately chose not to use the photorealistic product images that are typically featured on confectionary packaging. Instead, we created matte-finish packages decorated with stylish and iconic graphic artwork in different colors for each of the seven flavors offered. We also designed multi-package gift boxes in a variety of sizes and colors, and created a branded microsite and newspaper inserts to suggest innovative ways to create mix-and-match gift assortments. In addition, we created posters for in-store use, and a series of movies that were displayed at the point of sale, on the branded website, and disseminated on social media.

List the results (30% of vote)

With simple package design and effective use of social media we raised the brand's profile and increased sales in what had previously been the product’s weakest target segment (adults aged 20–39). In addition, by designing new gift boxes and promoting the product as a fashionable gift item, we were able to expand into new sales channels that offered much higher unit sales per customer than supermarkets and convenience stores. What’s more, we were able to achieve these results economically, without using any above-the-line advertising.

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