BEYOND TIME

Short List
TitleBEYOND TIME
BrandSHISEIDO
Product / ServiceGLOBAL INNOVATION CENTER
CategoryC03. Exhibitions / Installations
EntrantR/GA TOKYO, JAPAN
Idea Creation R/GA TOKYO, JAPAN
Idea Creation 2 SHISEIDO CO., LTD. Tokyo, JAPAN
Production R/GA TOKYO, JAPAN
Production 2 NOMURA Tokyo, JAPAN
Production 3 TYO CAMP KAZ Tokyo, JAPAN

Credits

Name Company Position
Niklas Lilja R/GA Tokyo Executive Creative Director
Anthony Baker R/GA Tokyo Executive Technology Director
Seamus Higgins R/GA Sydney VP Chief Creative Officer APAC
Toru Nagahama R/GA Tokyo Design Director
Jedy Chen R/GA Tokyo Senior Creative Technologist
Naru Kudo R/GA Tokyo Senior Producer
Aleksandra Nowacka R/GA Tokyo Producer
Marvin Varela R/GA Tokyo Senior Software Engineer
Ayumu Nagamatsu R/GA Tokyo Senior Software Engineer
Kumi Tominaga R/GA Tokyo Creative Technology Director
Tyler Bowers R/GA Tokyo Associate Creative Director
Mark Lloyd Ruck R/GA Tokyo Associate Creative Director
Reynan Shimada R/GA Tokyo Experience Designer
Scott Rothman R/GA Tokyo Senior Software Engineer
Masa Tanaka R/GA Tokyo Accociate Creative Director
Sayaka Ota R/GA Tokyo Creative Director
Jooyoung Lee R/GA Tokyo Junior Visual Designer
Sookie Lee R/GA London Designer
Wing Luo R/GA New York Creative Director & Senior Technical Director
Bill Feng R/GA Tokyo Junior Software Engineer
Kiran Lokhande Hansen R/GA Los Angeles Experience Design Director
Keisuke Nakajima R/GA Tokyo Senior Strategist
Mariko Futamura R/GA Tokyo Senior Art Director
Makiko Miyake R/GA Tokyo Copywriter
Naoto Hieda R/GA Tokyo Senior Software Engineer
Tomoya Matsuura R/GA Tokyo Software Engineer
George Sugitomo R/GA Tokyo Executive Creative Director
Masayuki Tanaka R/GA Tokyo Senior Copywriter
Ikuo Toyama R/GA Tokyo Creative Director
Debbie Pan R/GA Tokyo Art Director
Abe Chuang R/GA Tokyo Copywriter
Scott Kundert R/GA Tokyo Senior Producer
Mariko Oka R/GA Tokyo Accout Director
Yosuke Suzuki R/GA Tokyo Managing Director
Joanna Saw R/GA Singapore Tech Intern
Tetsuro Kanegae Shiseido Executive Creative Director
Takashi Maruyama Shiseido Research Scientist
Masato Kosukegawa Shiseido Chief Creative Director
Mika Ishii Shiseido Producer
Asuka Hashiguchi Shiseido Copywriter
Maki Kobayashi Shiseido Designer
Keisuke Yoshida NOMLAB Designer
Hiromasa Imaizumi NOMLAB Account Director
Takeharu Hanokizawa TYO CampKAZ Producer
Hiro Kano NICE RAINBOW Director
Kenta Takasaki TYO SPARK Director
Takaya Suzuki STEP Producer
Amariei Catalina ACTIVE CINE CLUB Editor
Azusa Kikuchi TTR Editor
Eri Ueda TYO CampKAZ Production Manager
Eri Ueda TYO CampKAZ Production Manager

Why is this work relevant for Brand Experience & Activation ?

In most countries around the world, “beauty” is narrowly defined as a youthful face with perfect skin. The perpetuation of this ideal by culture and advertising only serves to reinforce the perception, and makes people forget that age can be beautiful as well. Beyond Time is more than an immersive age simulation experience. It is an emotional experience that encourages people to recognize the beauty of growing old—an endeavor from one of Japan’s most iconic brands to promote a deeper definition of “beautiful” that is both more inclusive and more real.

Background

In April 2019, Shiseido opened its Global Innovation Center, the world’s largest cosmetics R&D hub of its kind. Located in Yokohama, Japan, this facility was designed to drive innovation, consumer research and future growth for the brand. We were tasked with creating an experience to attract visitors to the opening of the GIC, as well as to demonstrate the brand’s innovativeness and scientific knowledge to change people’s perspectives of one of the oldest cosmetic companies in the world. To achieve these objectives, we built a time machine.

Describe the creative idea (20% of vote)

There is beauty in growing old. Beyond Time is an interactive installation designed for friends, family, and loved ones to speak with one another through time. This project is an immersive experience that transports participants into past and future by digitally aging or age-reversing their faces, and then engaging them in dynamically tailored emotional conversations. In doing so, we encouraged people to think differently about the effects of aging on their bodies, and to understand that the most beautiful parts of themselves can actually get better with time.

Describe the strategy (20% of vote)

We targeted a millennial audience of both women and men—both of whom perceived the brand as a “mom’s brand”—towards creating a more innovative and modern perception of Shiseido. To do this, we styled Beyond Time as a higher-concept R&D project designed not to sell more products, but to broaden the definition of future beauty by focusing on emotions and that highlights the brand’s long history of scientific research into the effects of aging.

Describe the execution (30% of vote)

We combined three high-spec computers, Kinect sensors, IoT connected buttons and multiple 4k cameras to create a fully immersive experience. Working with Nomura Architects, we designed an installation outfitted with synchronized LEDs, directional microphones and speakers, and variable-opacity walls for privacy. We incorporated a century of Shiseido aging research to create a scientifically-accurate facial modeling system that far surpasses the capabilities of popular mobile apps. To protect data rights, we coordinated with research and legal teams to ensure the responsible management and anonymous storage of data within a secure network under strict and clear usage policies agreed upon by participants in advance. We spent 14 months on the project: three months on R&D, five months on prototyping, five months on software development, and one month on location performing round-the-clock construction, testing and tweaking to create an installation piece that has become an iconic fixture within the Shiseido GIC.

List the results (30% of vote)

In the past six months since its launch, Beyond Time has transported participants through 186,000 years in time and sparked over 10,000 different conversations about aging. Most importantly, we’ve shown more than 3,100 people a more positive way of looking at growing old, and helped them learn just how beautiful the journey can be. The process of developing the project has produced groundbreaking solutions for 3D facial data capture and skin color recognition, and has produced one of the world’s largest databases of 3D facial models 3D facial models with great potential for use in future research into both biogerontology as well as skincare.

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