| Title | GANMA! |
| Brand | COMICSMART |
| Product / Service | GANMA! |
| Category | B08. Media / Entertainment |
| Entrant | PARTY Tokyo, JAPAN |
| Idea Creation | PARTY Tokyo, JAPAN |
| PR | PLATINUM Tokyo, JAPAN |
| Production | AOI PRO. INC. Tokyo, JAPAN |
| Production 2 | OFFICE CRESCENDO Tokyo, JAPAN |
| Production 3 | N-DESIGN Tokyo, JAPAN |
| Production 4 | GRANDFUNK INC Tokyo, JAPAN |
| Production 5 | SONY PCL INC. Tokyo, JAPAN |
| Name | Company | Position |
|---|---|---|
| Hiroki Nakamura | PARTY | Creative Director |
| Norikuni Takamiya | PARTY | Creative Director |
| Marie Ono | PARTY | Copywriter |
| Taro Shinozuka | PARTY | Designer |
| Suno Nishiyama | PARTY | PR Manager |
| Hironori Onozaki | PARTY | Account Director |
| Hisaya Kato | ELNIDO | Creative Producer |
| Iwao Noritomi | ELNIDO | Creative Producer |
| Yuki Komakine | AOI Pro. | Planner |
| Takuya Yamamoto | AOI Pro. | Planner |
| Natsuki Yajika | Office Crescendo | Producer |
| Yukihiko Tsutsumi | Office Crescendo | Director |
| Hiroto Takahashi | Office Crescendo | Assistant Director |
| Kaoru Fukutomi | Office Crescendo | General Producer |
| Kenjiro Soh | (freelance) | Gaffer |
| . . | N-DESIGN | VFX/CG |
| JJJ . | (freelance) | Music Creator |
| OBI . | (freelance) | Music Creator |
| Gabriele Roberto | (freelance) | Music Creator |
| Masaya Kitada | (freelance) | Sound Effects Technician |
| . . | JAPAN ACTION ENTERPRISE | Action Instruction |
| Hiroyuki Hatori | (freelance) | Performance Operant |
| Ayano Watanabe | (freelance) | Wardrobe Stylist |
| . . | Hitsuji LLC | Hair-&-Makeup |
| Soichi Murayama | Platinum | PR Staff |
| Hideoki Mogi | GRANDFUNK INC. | Music Producer |
| Osamu Sasaki | Sony PCL Inc. | VFX Compositor |
The film is a live-action adaptation of celebrated scenes from "RESET GAME," a smartphone app-based manga read by over 7,500,000 people. The hero of the story, Seiichi, and others are trapped inside a building armed with artificial intelligence. This suspense manga depicts how the characters overcome countless challenges as they attempt to escape confinement. The film opens in a movie-trailer style, and reveals a surprise twist near the end.
The digitization of manga culture is on the rise. Japan boasts a full-fledged manga culture. Many people enjoy tens of manga apps on a daily basis. Even so, a common mentality is that manga published in magazines are superior to smartphone-based ones. Work being adapted into feature films are limited to those in manga magazines. We needed to clear this bias.