THE 72 CLUB

TitleTHE 72 CLUB
BrandLIFELINE
Product / ServiceSUICIDE PREVENTION
CategoryB02. Promotional Item Design
EntrantDDB NEW ZEALAND Auckland, NEW ZEALAND
Idea Creation DDB NEW ZEALAND Auckland, NEW ZEALAND
PR MANGO Auckland, NEW ZEALAND
Production DDB NEW ZEALAND Auckland, NEW ZEALAND
Production 2 SWEETSHOP Auckland, NEW ZEALAND

Credits

Name Company Position
Damon Stapleton DDB Group New Zealand Regional Chief Creative Officer
Shane Bradnick DDB Group Executive Creative Director
James Conner DDB Group New Zealand Creative Director
Christie Cooper DDB Group New Zealand Creative Director
Nikki McKelvie DDB Group New Zealand Lead Business Director
Carly Pratt DDB Group New Zealand Senior Business Manager
Ravina Raju DDB Group New Zealand Business Manager
Georgina Foot DDB Group New Zealand Business Coordinator
Anna Gunnell DDB Group New Zealand Senior Planner
Damien Eames DDB Group New Zealand Senior Planner
Judy Thompson DDB Group New Zealand Executive Producer
Alva Waldron DDB Group New Zealand Agency Producer
Mike Hammond DDB Group New Zealand Senior Editor
Mark Trethewey DDB Group New Zealand Editor
Dan Cummings DDB Group New Zealand Editor
Dan Partington DDB Group New Zealand Audio Engineer
Liz Knox DDB Group New Zealand Digital Director
Lizzy Funaki DDB Group New Zealand Senior Digital Producer
Jason Vertongen DDB Group New Zealand Head of Digital Design
Ashley Cook DDB Group New Zealand Digital Designer
Emmanuel Ordorisio DDB Group New Zealand Digital Developer
Paul Hutcheon DDB Group New Zealand Front End Developer
Jacob Newton DDB Group New Zealand Digital Copywriter
Josep Jover DDB Group New Zealand Digital Art Director
James Li DDB Group New Zealand Motion Design
Sheetal Pradhan DDB Group New Zealand Digital Producer
Mike McMillan DDB Group New Zealand Developer
Liam Norries DDB Group New Zealand Social Planner
Nabell Dada DDB Group New Zealand Digital Campaign Manager
Marcel de Ruiter DDB Group New Zealand Studio Director
Amanda Summersby DDB Group New Zealand Print Producer
Shelley Cousins DDB Group New Zealand Print Producer
Gordon Moir DDB Group New Zealand Retoucher
Nicole Dekker DDB Group New Zealand Senior Mac Designer
Barry Cumming DDB Group New Zealand Senior Mac Designer
Dylan Pharazyn The Sweetshop Director
Laria Tiffin The Sweetshop Producer
Fiona King The Sweetshop Managing Director
Marty Williams The Sweetshop DOP Lighting Cameraman
Adam Luxton The Sweetshop DOP Lighting Cameraman
Stu Bedford The Machine Room Online
John Baxter Perceptual Engineering Post Production
Johnathan Mihaljevich Franklin Rd Music Licensing
Minky Stapleton Minky Stapleton Illustrator
Mat Baker N/A Photographer
Karl Baker N/A Photographer Assistant/Retoucher
Claudia Macdonald Mango Managing Director
Sean Brown Mango General Manager
Max Burt Mango Senior Account Manager
Isabelle Clarke Mango Account Executive

Background

In 2018 New Zealand’s suicide rate was the worst it had ever been, with the highest youth suicide rate in the OCED. New Zealand's leading Crisis helpline, Lifeline was founded on the belief that listening saves lives. But following a devastating funding cut, a quarter of the calls were going unanswered. Lifeline needed a lifeline. A campaign that would motivate Kiwis to donate to keep this critical service open. We needed to raise $300,000, enough to fund Lifeline’s free helpline for another year helping them to save more Kiwi lives.

Describe the creative idea (40% of vote)

Instead of talking about the tragedy of death we flipped the conversation by turning our appeal into a celebration of life. The 27 Club is made up of celebrated musicians (including Amy Winehouse, Kurt Cobain, Jimi Hendrix and Janis Joplin), who all died at the age of 27. To raise awareness and donations for Lifeline, we turned the 27 Club on its head, by re-recording their songs with musicians who have lived to be old. The 72 Club's first single, a rerecording of Janis Joplin's 'Piece of my Heart' was launched online as a song and music video. We treated the launch like any other song release. And what song release would be complete without merchandise? The purpose of the merchandise was to both gain extra revenue and awareness for Lifeline and create a movement that people could join to show they wanted to live to 72 and beyond.

Describe the execution (40% of vote)

Instead of treating the release of the song as a traditional fundraising or advertising campaign, we treated it like any other song release with a launch party, street posters, PR and a music video – all intended to generate substantial hype and talkability around The 72 Club. Every piece of communication directed New Zealanders to the 72 Club website where anyone could join the 72 Club by donating or buying 72 Club merchandise. The merchandise which included 72 club t-shirts, tote bags and a limited edition LP were also sent out to news presenters, music bloggers, radio DJs and social media influencers as part of a PR kit.

List the results (20% of vote)

The track appeared in the NZ iTunes charts, the campaign flooded social media and was talked about on the country’s biggest TV news shows and radio stations resulting in it reaching the equivalent of the entire New Zealand population several times over. This campaign needed to gain Lifeline $300,000 in donations. We reached and then nearly doubled that goal, far surpassing previous fundraising efforts for Lifeline and setting a new precedent for the organisation. And we generated a pipeline of higher value repeat donors, ensuring less canvassing work would need to be done for future appeals. But most importantly our campaign is now ensuring that Lifeline is not missing any critical calls, so more NZers can live to be old.