Title | THE KILLER CHATBOT |
Brand | TBA STUDIOS |
Product / Service | SMALLER AND SMALLER CIRCLES |
Category | D02. Use of Branded Content created for Digital or Social |
Entrant | MULLENLOWE PHILIPPINES Makati City, THE PHILIPPINES |
Idea Creation | MULLENLOWE PHILIPPINES Makati City, THE PHILIPPINES |
Media Placement | MULLENLOWE PHILIPPINES Makati City, THE PHILIPPINES |
Production | MULLENLOWE PHILIPPINES Makati City, THE PHILIPPINES |
Name | Company | Position |
---|---|---|
Leigh Reyes | MullenLowe Philippines | President, Chief Creative Officer |
Abigail Aquino | MullenLowe Philippines | Executive Creative Director |
Roman Carlo Olivarez | MullenLowe Philippines | Creative Director |
BJay Gomez | MullenLowe Philippines | Art Director |
Ernie Angeles | MullenLowe Philippines | Copywriter |
Vince Canlapan | MullenLowe Philippines | Art Director |
Shiela Tiongo | MullenLowe Philippines | Head of Technology and Platform Services |
Raffy Bariso | MullenLowe Philippines | Social Media and Content Director |
Marge Galvez | MullenLowe Philippines | Digital Producer |
Jhon Louie Cruz | MullenLowe Philippines | Front-end Developer |
Viboy Palillo | MullenLowe Philippines | Director of Brand Planning |
Lemuel Maigue | MullenLowe Philippines | Junior Account Manager |
Lio Cana | MullenLowe Philippines | Account Manager |
April Anne Garcia | MullenLowe Philippines | Senior Account Manager |
Ria Limjap | TBA Studios | Executive Producer, Screenwriter |
Shinji Manlangit | MullenLowe Philippines | Social Media Manager |
To reach and appeal to a bigger mainstream audience, SASC’s pre-screening ad had to engage in a way that would naturally draw massive interest. True to its subject, the producers got people to want to see the film by letting them participate in the film’s crime solving, giving them a peak into the ultimate mystery of the genre: Who did it?
Users created their own unique experiences depending on their responses to his questions. The bot responds negatively to lies, and refuses to disclose his own information. He threatens and is prone to bursts of anger. And in some instances would send messages to users in the middle of the night. Giving the users the feeling of unease from violence that hides in plain sight. Users who respond with honesty, care, and concern are those are rewarded by the bot with a richer experience and one of the “good endings.” Users who are abrasive or rude to the bot are led to one of the “bad endings.” All users are rewarded for the experience by being allowed to look closer into the film through exclusive deleted scenes that reveal small details about the film that enrich the experience of the film.
-3962 unique users -33% play through rate -Hundreds of interaction
Through the use of the Facebook messenger bot, we found an innovative way of going beyond the bot's functional qualities to create a real-life chilling experience with the movie's antagonist (a serial killer) beyond trailers and cinemas.
To talk to the audience about fear, corruption, and violence that the film’s serial killer represented, we let the serial killer speak for himself. We created the Killer Chatbot. A chat bot that talks, acts, and behaves like the film’s serial killer. We launched the bot on Messenger on the SASC's page, a digital platform already inhabited by and easily accessible to the film’s larger potential audience. Queries sent to SASC's page are routed to the chat bot who responds in the voice of the serial killer.