Title | CYBER TELEPORTATION TOKYO |
Brand | NTT |
Product / Service | CYBER TELEPORTATION TOKYO |
Category | A02. Applied Innovation |
Entrant | NIPPON TELEGRAPH AND TELEPHONE CORPORATION Yokosuka, JAPAN |
Idea Creation | NIPPON TELEGRAPH AND TELEPHONE CORPORATION Yokosuka, JAPAN |
Idea Creation 2 | AOI PRO. INC. Osaki, Tokyo, JAPAN |
Production | NIPPON TELEGRAPH AND TELEPHONE CORPORATION Yokosuka, JAPAN |
Production 2 | AOI PRO. INC. Osaki, Tokyo, JAPAN |
Production 3 | INS STUDIO Tokyo, JAPAN |
Production 4 | ICEMAN FILMS Tokyo, JAPAN |
Production 5 | MIURA NEW ROOM Tokyo, JAPAN |
Additional Company | INTERNET2 Washington, D. C., USA |
Name | Company | Position |
---|---|---|
Shingo Kinoshita | NIPPON TELEGRAPH AND TELEPHONE CORPORATION | Executive Creative Producer |
Hiroshi Chigira | NIPPON TELEGRAPH AND TELEPHONE CORPORATION | Technical Producer |
Kenichi Minami | NIPPON TELEGRAPH AND TELEPHONE CORPORATION | Executive Technical Manager |
Tomoyuki Kanekiyo | NIPPON TELEGRAPH AND TELEPHONE CORPORATION | Technical Director, Supervisor |
Kenya Suzuki | NIPPON TELEGRAPH AND TELEPHONE CORPORATION | Technical Director |
Koji Namba | NIPPON TELEGRAPH AND TELEPHONE CORPORATION | Engineer |
Masato Ono | NIPPON TELEGRAPH AND TELEPHONE CORPORATION | Engineer |
Akira Kurosaka | NTT TechnoCross Corporation | Technical Manager |
Yuma Mizutani | NTT TechnoCross Corporation | Engineer |
Hirotaka Utsumi | NTT TechnoCross Corporation | Engineer |
Motohiro Makiguchi | NIPPON TELEGRAPH AND TELEPHONE CORPORATION | Engineer |
Hiromu Miyashita | NIPPON TELEGRAPH AND TELEPHONE CORPORATION | Engineer |
Hirokazu Kakinuma | NIPPON TELEGRAPH AND TELEPHONE CORPORATION | Engineer |
Takeru Isaka | NIPPON TELEGRAPH AND TELEPHONE CORPORATION | Engineer |
Hidenobu Nagata | NIPPON TELEGRAPH AND TELEPHONE CORPORATION | Engineer |
Junichi Nakagawa | NIPPON TELEGRAPH AND TELEPHONE CORPORATION | Network Director |
Hikaru Takenaka | NIPPON TELEGRAPH AND TELEPHONE CORPORATION | Engineer |
Ken-ichiro Hirata | NTT Advanced Technology | Engineer |
Hisao Uose | VisionBridge | Technical Manager |
Michael LaHaye | Internet2 | Technical Director |
Jeff Hagley | Internet2 | Technical Manager |
Kumiko Kitamura | AOI Pro. Inc. | Producer |
Shunsuke Nakamura | AOI Pro. Inc. | Producer |
Nozomi Fujiwara | AOI Pro. Inc. | Producer |
Naoto Oiwa | Monokatari | Creative Director |
Norikazu Yamaguchi | Bug Corporation | Executive Producer |
Taro Fumizono | AOI Pro. Inc. | Production Manager |
Kei Ohta | AOI Pro. Inc. | Director |
Baku Hashimoto | INS Studio | CG Director |
Toru Satou | ICEMAN FILMS | Technical Director |
Naomi Miura | MIURA NEW ROOM | Stage Director |
Hiroshi Ogawa | BubbleWrap | Casting Director |
starRo | Toy's Factory | Artist |
Recent developments for high-resolution image transfer and immersive systems using head mounted display (HMD)s are aggressively making their ways into technology markets. However, we questioned the mere pursuit of high-resolution, and we have been exploring the possibility to develop a system to transmit an entire space with mind-blowing telepresence. Of course, without the use of HMDs. NTT, developed a way to transfer a HMD-less immersive experience, as if the whole space was 'teleported' through a real-time live speed transfer link from distant locations through tangible spatial display technology.
Spatial layout of 9 transparent screens, including 1 double-sided screen, to create an engaging and immersive experience made possible through a powerful communication infrastructure. Ultra low latency multimedia synchronized transmission technology over high-speed networks Transfer distance 6,543 miles Zero packet loss 2K x 5 feeds with 600ms latency (from Tokyo to Austin, including 75ms network latency, during the event) 4K x 13 feeds (tested on maximum transfer size on previous trials) Next generation real-time image extraction technology from any background Without using conventional green screen technology, our technology, in 80ms, conducted human shape extractions of the artists in Tokyo from a background of choice, under various stage lighting conditions, then transmitted these isolated images. World debut of a double-sided transparent screen projection to display human form image extractions (double-sided screen provided by Polid Screen)
With our transfer technology, processing time of 80ms for image extraction without the use of green screen, under various stage lighting environments experienced zero packet loss at ultra low latency of 600ms. This made the state of live synchronicity between Austin and Tokyo virtually none, surprising not only the guests at the live show, but, also performers, DJ starRo, and technical experts of Internet2, who provided the high-speed NW architecture in the U.S. At the present moment, tests have been successfully conducted using 13 feeds of video at 4K resolution. With this technology, the foreseeable future in the ability to cater links to Tokyo from distant locations through an immersive telepresence experience during the Olympic Games at Tokyo in 2020 are very promising.
Ultra low latency technology, high transfer capability NW, next generation human-form image extraction technology, and the world debut of a double-sided transparent display for human-form projection. Our development of this revolutionary three-dimensional spatial immersive telepresence experience was our basis on making entry into the INNOVATION category.