Title | LIVE FOR YOU |
Brand | NTT DOCOMO |
Product / Service | DRAGON ASH |
Category | C05. 360° / VR Film |
Entrant | ENJIN Tokyo, JAPAN |
Idea Creation | ENJIN Tokyo, JAPAN |
Production | EPOCH Tokyo, JAPAN |
Name | Company | Position |
---|---|---|
Shiro Nomura | ENJIN Inc. | CREATIVE DIRECTOR |
Takeshi Yazaki | ENJIN Inc. | COMMUNICATION DESIGNER |
Mitsuhito Sato | ENJIN Inc. | COPY WRITER+PRODUCER |
Kazuma Ikeda | P.I.C.S. | DIRECTOR |
Kazuya Arai | EPOCH | PRODUCER |
Toshiaki Irie | SEP | PRODUCTION MANAGER |
Takuto Shinpo | SEP | PRODUCTION MANAGER |
Hiroki Tokai | Freelance | DIRECTOR |
Satoru Karasawa | IKEDAYA | CINEMATOGRAPHER |
Takeshi Muramatsu | Freelance | CINEMATOGRAPHER |
Yosuke Kai | Freelance | LIGHTING DIRECTOR |
Yoshiaki Ishigaya | TTR/magic | TECHNICAL PRODUCER |
Yasunori Mori | JOUER LTD. | 360CAMERA |
Isao Kimura | JOUER LTD. | 360CAMERA |
Kazuo Dan | MOLlcule | MILO |
Tetsu Kaneko | Freelance | TECHNO CRANE |
KYOHEY | RIZE GROAN | CHOREOGRAPHER/DANCER CASTING |
Hiroto Koyama | RIZE GROAN | CHOREOGRAPHER |
Daisuke Maeda | Ray | COMPOSITER |
Koei Ishizaki | Freelance | COMPOSITER |
Motoyuki Tamura | Freelance | COMPOSITER |
Akiko Aoyama | PPC | COMPOSITER |
Kotaro Yamazaki | PPC | COMPOSITER |
Ko Yamamoto | PPC | COMPOSITER |
Yoshihiro Miura | PPC | COMPOSITER |
Takaki Kato | PPC | SOUND DESIGN |
Dragon Ash | Victor Entertainment | ARTIST |
Kazushige Takebayashi | SHA Inc. | ART DIRECTOR |
Natsuki Isa | SHA Inc. | DESIGNER |
Mai Abe | AUR Inc. | PR PLANNER |
“LIVE for YOU” was a transcendent VR experience that surrounded participants with advanced 360° spatial sound and images recorded from a live event. Each viewer could enjoy the dynamic performance as the sole spectator from a perspective close enough to see the artist's breathing, sweating and vein pulsing. An astonishing surround effect was made possible by VR camera equipment with 4K film resolution. Live VR recording is often encumbered by the presence of a cameraman who may appear in the field of vision. But our cameras were operated through motion control to allow recording of more people in all directions. We also utilized YouTube spatial audio technology (Android smartphones only) that enables sound to be heard from the direction corresponding to the angle of view.