GAYNZ

TitleGAYNZ
BrandANZ
Product / ServiceANZ BANK
CategoryA01. Creative Effectiveness
EntrantTBWA\MELBOURNE, AUSTRALIA
Idea Creation TBWA\MELBOURNE, AUSTRALIA
Media Placement PHD Melbourne, AUSTRALIA
Production REVOLVER/WILL O'ROURKE Sydney, AUSTRALIA
Production 2 THE GLUE SOCIETY Sydney, AUSTRALIA

Credits

Name Company Position
Paul Reardon TBWA\Melbourne Chief Creative Officer
Tara Ford TBWA\Melbourne Creative Director
Daniel Pizzato TBWA\Melbourne Creative
Tim Woolford TBWA\Melbourne Creative
Scott Canning TBWA\Melbourne Creative
Janine Wertheim TBWA\Melbourne Senior Producer
Ricci Meldrum TBWA\Melbourne Regional Group Head
Claire Tenzer TBWA\Melbourne Group Business Director
Emily Gray TBWA\Melbourne Account Manager
Jack Clemenger TBWA\Melbourne Account Executive
Paul Arena TBWA\Melbourne Digital Planner
James Dive The Glue Society Artistic, Design & Project Director
Pete Baker The Glue Society Artistic, Design & Project Director
Michael Ritchie Revolver/Will O'Rourke Managing Director/EP
Josh Mullens Revolver/Will O'Rourke EP/Head of Projects
Jasmin Helliar Revolver/Will O'Rourke Producer
Phoebe Marks Revolver/Will O'Rourke Production Manager
Sam Hobbs Revolver/Will O'Rourke Production Designer
Sam Wilde Revolver/Will O'Rourke Art Director
Cameron Stanton Revolver/Will O'Rourke Construction Manger
Andrea Davies Revolver/Will O'Rourke Scenic Painter
Bill Undery Revolver/Will O'Rourke Scenic Painter
Mark Dixon Revolver/Will O'Rourke Scenic Painter
Rosalind McKelvey Bunting Revolver/Will O'Rourke Scenic Painter
Colin Richards Revolver/Will O'Rourke Scenic Painter
Jo Allsop Revolver/Will O'Rourke Scenic Painter
Robyn Schremmer Revolver/Will O'Rourke Graphic Designer

Brief Explanation

In 2014 and 2015, ANZ set the bar high with the now world famous GAYTMs. In 2016 however, the landscape had changed. Brands had jumped on the bandwagon creating accusations of chasing the ‘pink dollar’ with commercial opportunism at the core. ANZ’s support ran deeper and they needed to show this in a fun way that the Sydney LGBTI community and general public would embrace. ANZ had to dispel myths of token marketing, by totally committing to the celebration and activating (as they had done in previous years) with absolute conviction. ANZ had been celebrating ‘diversity, inclusion and respect’ for more than a decade. 2016 marked ANZ’s tenth year of Mardi Gras sponsorship, and this called for one almighty celebration of pride. ANZ showed that their commitment to diversity, inclusion and respect ran deeper than just a name association by changing theirs altogether, turning a point of sale channel into a canvas for inclusion and respect. ANZ came out loud and proud as ‘GAYNZ.’ This term of endearment had long been bestowed on ANZ by some of the LGBTI community, and perfectly expressed ANZ’s passion for diversity, so it only felt right to more fully adopt it. They transformed an inherently conservative organisation across their owned media channels and changed their outfit, completely rebranding an underperforming, tired-looking, pokey bank branch ordinarily visited out of necessity, into a baroque-inspired homage to LGBTI iconography – earning the moniker of ‘a bank fit for a queen’ and making it a destination place for Sydney-siders and tourists alike. The campaign proved purpose-led marketing could drive positive brand opinion, strengthen a workforce and even deliver incremental business results. It turned out that whilst the GAYNZ branch installation saw more foot-traffic than ever before, the visitors weren’t simply there to view the beautiful branch, they were there to bank, and as a result ANZ saw new account openings more than double and become one of the top performing branches in the country during the campaign period. Faaaaaabulous darling!