Title | KEVLAR COUTURE |
Brand | FOXTEL / ARENA CHANNEL |
Product / Service | ENTERTAINMENT |
Category | B02. Promotional Item Design |
Entrant | CLEMENGER BBDO SYDNEY, AUSTRALIA |
Idea Creation | CLEMENGER BBDO SYDNEY, AUSTRALIA |
Media Placement | FOXTEL Sydney, AUSTRALIA |
PR | CLEMENGER BBDO SYDNEY, AUSTRALIA |
PR 2 | FOXTEL Sydney, AUSTRALIA |
Production | CLEMENGER BBDO SYDNEY, AUSTRALIA |
Production 2 | FOXTEL Sydney, AUSTRALIA |
Production 3 | PAPER DRAGON Sydney, AUSTRALIA |
Name | Company | Position |
---|---|---|
Ben Coulson | Clemenger BBDO | Chief Creative Officer |
Paul Nagy | Clemenger BBDO | Executive Creative Director |
Emily Perrett | Clemenger BBDO | Managing Director |
Brendan Willenberg | Clemenger BBDO | Creative Director |
Ben Clare | Clemenger BBDO | Creative Director |
Simon Gibson | Clemenger BBDO | Senior Copywriter |
Dan White | Clemenger BBDO | Senior Art Director |
Josh Aitken | Clemenger BBDO | Senior Copywriter |
Simon Koay | Clemenger BBDO | Senior Art Director |
Daniel Mortensen | Clemenger BBDO Sydney | Head of Craft |
Holly Whiteley | Clemenger BBDO | Senior Account Manager |
Toby Clark | Clemenger BBDO | Planner |
Steve Tindall | Clemenger BBDO | Senior Producer |
Claire Bisset | Clemenger BBDO | Senior Producer |
Alex Guterres | Clemenger BBDO | Editor |
Jess Morgan | Clemenger BBDO | Online & grade |
Anthony Tiernan | Clemenger BBDO | Senior Sound Engineer |
Dan Jones | Dan Jones | Fashion Designer |
Steven Popovich | DLM | Photographer |
Ben McPhee | DLM | Photographer's Assistant |
Sam Couzens | Paper Dragon | Director |
Nicola Woolfrey | Paper Dragon | Executive Producer |
Borce Damćevski ACS | Paper Dragon | DOP |
Nathan Damćevski | Paper Dragon | First AC |
Sasha Mackie | Foxtel / Arena | Head of Marketing, Entertainment Channels |
Gina McGrath | Foxtel / Arena | Head of Marketing, Entertainment Channels |
Candice Clerici | Foxtel / Arena | Senior Marketing Exec, Entertainment |
Laura Stewart | Foxtel / Arena | Marketing Exec, Entertainment |
Carla Russo | Foxtel / Arena | Senior Digital Producer |
Tom Radcliff | Foxtel / Arena | Digital Producer/Videographer |
We created the Kevlar Couture. A range of clothing designed exclusively for the housewives encompassing one unique feature – they were made from military-grade, backstab-proof Kevlar. To earn a place in the conversation, we worked with celebrity fashion designer Alex Perry and luxury womenswear designer, Dan Jones to create the collection. The collection was worn by the housewives across show promos, social media, high fashion print, and a series of videos that tested the durability of the gowns against some high society weapons.
While the idea is purely a promotional vehicle for the show, we wanted to be certain that the Kevlar Collection could withstand the carnage of Sydney high society. We worked closely with Sydney designer Dan Jones, and experts in combat armour to make sure the gowns didn't just look good, but could take a knife to the back. To achieve this, the gowns were made from military-grade Kevlar - a para-aramid synthetic fibre used in bullet-proof vests. Dan Jones has created looks for Mel B, Kimbra, Dannii and Kylie Minogue, and Prince. So it was only natural that he'd make Kevlar Couture exclusively for The Real Housewives of Sydney as a collection of one-off gowns. We then tested the dresses to hell and back against weapons the girls may come into contact with and released the films on social. These included: Samurai Silverware; High Calibre Cork; and Semi Automatic Stiletto.
The spike in media attention, social media buzz and fan discussion around Kevlar Couture helped give The Real Housewives of Sydney a mid season lift. This resulted in the show becoming Arena's most highly rated show of the season. The campaign also helped boost streaming/catch-up demand of the series by 8%, meaning this season became Arena's most streamed Real Housewives instalment to date. The Real Housewives of Sydney also became the most discussed show on social media in Australia for the month of the campaign. With Kevlar really becoming the new black.
The fights, insults and combative nature of the Real Housewives franchise is one of the main draw cards to viewers. But with so many series over so many years, Foxtel/Arena had to overcome any viewer fatigue for their all important Sydney edition. The strategy was to illustrate just how brutal the Housewives were in a tongue and cheek way. Increasingly, social media is where viewers find out about shows and come together to discuss the drama . It is the new water cooler, so with that, we wanted to create an idea and product that gave the audience something extra to talk, tweet, and post about. It had to be more than a network promo, as viewers now pick up shows later on streaming and catch up, we needed to get to them there. The target market was reality TV, fashion and celebrity news obsessed women aged 18-45.