PARAMEDIC

TitlePARAMEDIC
BrandWORKSAFE VICTORIA
Product / ServiceANTI-VIOLENCE CAMPAIGN
CategoryA01. Direction
EntrantFINCH Sydney, AUSTRALIA
Idea Creation THE SHANNON COMPANY Melbourne, AUSTRALIA
Production FINCH Sydney, AUSTRALIA
Additional Company WORKSAFE VICTORIA Wangaratta, AUSTRALIA

Credits

Name Company Position
Susan Crnkovic-Jones WorkSafe Victoria Director of Marketing & Communications
Amelia Vercoe WorkSafe Victoria A/g Manager, Marketing Insights & Programs
Stephanie McCallum WorkSafe Victoria Marketing & Communications Consultant
Amanda Tonks WorkSafe Victoria Technical Inspector - FSME
Emma Hill The Shannon Company Managing Partner/Creative Director
Kim Hellier The Shannon Company Art Director
Jo Theoharis The Shannon Company Agency Producer
David Dumas The Shannon Company Group Business Director
Natella Riftin The Shannon Company Business Director
Derin Seale FINCH Director
Jackie Adler FINCH Producer
Corey Esse FINCH Executive Producer
Gary Woodyard Freelance Editor
Nicky Liddell Freelance Editor
Matt Toll Freelance Cinematographer

Brief Explanation

The spots feature various healthcare workers talking to camera about the risks they face whilst trying to provide help to patients and their families as they walk through a workplace that moves in slow-motion and directly into an act of violence that then abruptly switches to real-time speed. At the moment of impact the screen cuts to black and the title 'It's Never OK' appears.

Execution

Worksafe’s challenge was its mix of technology and honest human emotional storytelling. Stepping into a situation of imminent threat while describing your situation needed at once a confidence and vulnerability. Another challenge was designing a slowly escalating situation that the viewer both engaged in the character, slowly aware of their danger, and ultimately emotionally impacted by the resulting aggression. With a limited budget I designed a system of shooting; combining different slow motion and real-time action into single shots, revealing the storytelling through the camera’s widening of the frame. I wanted to use the recent advanced resolution of cameras to tell an emotional story in a way that wasn’t possible until recently. This approach to technology will help directors tell emotional stories in a new way. The campaign’s been shared millions of times and that interest in a government message is vital and due to the impact on the viewer.

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