Title | PAPER CUTS LIFE |
Brand | GREENPEACE |
Product / Service | CHARITY |
Category | A03. Stationery |
Entrant | SAATCHI & SAATCHI CHINA Shanghai, CHINA |
Entrant Company | SAATCHI & SAATCHI CHINA Shanghai, CHINA |
Advertising Agency | SAATCHI & SAATCHI CHINA Shanghai, CHINA |
Production Company | HONOUR COMMUNICATION Shanghai, CHINA |
Name | Company | Position |
---|---|---|
Fan Ng | Saatchi/Saatchi Shanghai | Chief Creative Officer |
Jonathan Ip | Saatchi/Saatchi Shanghai | Digital Executive Creative Director |
Momo Hou/Guojing Yang | Saatchi/Saatchi Shanghai | Creative Director |
Fan Ng/Guojing Yang/Andy Lau/Janny Guo/Jerry Wei/Forest Young/Haibo Huang | Saatchi/Saatchi Shanghai | Art Director |
Momo Hou/Eden Qin | Saatchi/Saatchi Shanghai | Copywriter |
Ran Yin | Saatchi/Saatchi Shanghai | Head Of Tv Production |
Lily Jin | Saatchi/Saatchi Shanghai | Creative Service Director |
Lesley Qiu | Saatchi/Saatchi Shanghai | Senior Production |
Rebecca Liu | Saatchi/Saatchi Shanghai | Director Of Communications |
Judy Zhang | Saatchi/Saatchi Shanghai | Pr Manager |
Kris Xiao | Saatchi/Saatchi Shanghai | Pr Assistant |
Gary Yip | Saatchi/Saatchi Shanghai | Business Director |
Joey Gu | Saatchi/Saatchi Shanghai | Account Director |
Venus Yao | Saatchi/Saatchi Shanghai | Account Manager |
Silei Wang | Saatchi/Saatchi Shanghai | Account Executive |
Keno Zhao | Edelweiss Production | Photographer |
Greenpeace wanted to make our message immediate and inescapable, but didn’t have much budget for media. So we wanted to leverage the products that people touch every day, the direct products of deforestation, to be the media itself. We then connected this to a byproduct of deforestation and emotional pressure point, animal extinction, for the message.
Widespread deforestation drives numerous animal species closer to extinction each year. Greenpeace urgently wanted to make people aware of this alarming truth, but in China, the problem seems far removed from daily life. So how could we make deforestation and its effect on animal extinction feel more immediately relevant to everyone?
Wanting to make the connection between regular paper consumption and animal extinction impossible to ignore, we put animal blood literally into people’s hands. Bloody ‘paper cuts’ in the shapes of endangered animals were printed onto paper used in everyday settings from offices, cafes to clothing shops and even a famous resort. By directly showing its bloody consequences, we transformed paper from an ordinary object into a provocative learning tool for thousands of people.
QR codes above each paper cut directed over 15,000 people to Greenpeace’s website to learn more about deforestation. Office workers, cafe goers, store patrons and resort guests extended our message even further by sharing pictures of the paper cuts on social media. The biggest success, however, were the numerous businesses that asked Greenpeace for guidance on making their companies greener, including using eco-friendly paper.