Title | LYNX ANARCHY |
Brand | UNILEVER AUSTRALIA |
Product / Service | LYNX |
Category | A01. Event & Field Marketing |
Entrant | FINCH Sydney, AUSTRALIA |
Entrant Company: | FINCH Sydney, AUSTRALIA |
Sales Promotion/Advertising Agency: | FINCH Sydney, AUSTRALIA |
Name | Company | Position |
---|---|---|
Rob Galluzzo | Finch | Executive Producer |
Michael Hilliard | Finch | Executive Producer |
Emad Tahtouh | Finch | Director Of Creative Technology |
Alex Roberts | Finch | Director |
Camilla Dehnert | Finch | Producer |
Tim Tregonning | Freelance | Dop |
Tim Dyroff | Resolution Design | Post Executive Producer |
Kent Boswell | Resolution Design | Post Producer |
Darren Coombes | Resolution Design | Flame Artist |
Ross Raeburn | Soap Creative | Managing Director |
Brad Eldridge | Soap Creative | Creative Director |
Anthony Wilde | Soap Creative | Creative Director |
Josh Hunt | Soap Creative | Account Director |
Brett Thompson | Soap Creative | Account Director |
Christine Sultana | Soap Creative | Agency Producer |
Cameron Brooks | Soap Creative | Agency Producer |
The objective was to launch the new LYNX Anarchy body spray for HIM+HER. The brand needed young females to take notice of their first female fragrance, being previously associated with only male scents. The essence of this campaign was to create an interesting and unusual way in which the audience could interact with the product via the technology involved. The launch of a global campaign to “Unleash the Anarchy” supported by local activations was the driving force behind the installation, inciting the voyeuristic instincts of the viewers. The Anarchy was literally unleashed when the audience put on the LYNX glasses.
We wanted to catch our target market where they hang out. We found a terrace house between a speakeasy, a Laundromat that has been converted into a trendy bar and a hipster joints with no front entrance and opened up the windows to put on a show. LCD Televisions were modified to project glaring white light for the average passer-by. By connecting with LYNX and putting on the sunglasses, soap sud levels rose and fire burned, but none of these perils was a match for LYNX Anarchy, which, in the midst of it all, was drawing together three scantily-clad couples.
The discourse created by the technology had an explosive effect on LYNX’S social media channels. LYNX is now a brand targeted to young people, and not just young men. We went into the right neighbourhood at the right time with something no one had seen before and started a conversation. Combining the giveaway of sunglasses with the product meant that people who wouldn't have normally stopped heard the story. For LYNX it was the right blend of Anarchy by bringing together HIM+HER. 5,000 sunglasses handed out 10,000+ passersby witnessed the chaos 43,000 new Facebook likes 400,000+ YouTube views
Using this kind of technology allowed for the "LYNX Effect" to be felt instantaneously by viewers. Just as guys and girls wearing LYNX Anarchy are instantly attracted to each other, so too were the viewers drawn into the chaos unfolding inside the terrace. By setting up the experiential installation in a nightlife area, men and women were already out looking to connect and LYNX Anarchy could show them what happens when you unleash the chaos.