A LEGEND ABUSED

TitleA LEGEND ABUSED
BrandFRIENDS FOR EDUCATION
Product / ServiceNON GOVERNMENT ORGANISATION
CategoryB04. Public Service, Charity & Fund Raising
EntrantMcCANN WORLDGROUP Mumbai, INDIA
Entrant Company:McCANN WORLDGROUP Mumbai, INDIA
DM/Advertising Agency:McCANN WORLDGROUP Mumbai, INDIA

Credits

Credits

Name Company Position
Prasoon Joshi McCann-Erickson India Regional Creative Director
Ashish Chakravarty McCann-Erickson India EXECUTIVE CREATIVE DIRECTOR
Vineet Mahajan McCann-Erickson India CREATIVE DIRECTOR
Radhika Oberoi McCann-Erickson India COPYWRITER
Archana Ravi McCann-Erickson India COPYWRITER
Ashish Chakravarty McCann-Erickson India COPYWRITER
Rakschit Bhardwaj McCann-Erickson India ART DIRECTOR
Vineet Mahajan McCann-Erickson India ART DIRECTOR
Priyanka Bhardwaj McCann-Erickson India ILLUSTRATOR
Rakschit Bhardwaj McCann-Erickson India DESIGNER
Amit Dey Amit Dey Photography PHOTOGRAPHER
Neha Rawla McCann-Erickson India CLIENT SERVICING
Jeet Kalra McCann-Erickson India FILM Co-ordinator
Akash Gupta Kshitij Studio SOUND DESIGNER
Satish Kumar Kataria Digital Blasphemy Production FILM EDITOR
Rishi Rana Bhardwaj ESP Voice-over ARITST

The Brief

Mirza Ghalib, a 19th century Urdu and Persian poet, has deeply influenced popular culture across the Indian subcontinent. His works have inspired books, music and Bollywood films. But his mansion in Delhi was in urgent need of repair and restoration. Objective: Rousing Delhi to the abuse of this mansion, a protected monument. Target Audience: Patrons of the arts and literature. Ardent fans of Mirza Ghalib from teenagers to scholars. Strategy: Provoking the anger of the target audience by utilizing spaces frequented by them. Bookstores, music shops and DVD rentals were the chosen medium for a signature campaign against government apathy.

Creative Execution

The creative solution involved utilising bookstores, music shops and DVD rentals with a section dedicated to Mirza Ghalib’s work. We created jackets with profane graffiti and wrapped them around books, CDs and DVDs in these stores. Thus we defaced living reminders of the poet. People were shocked by the graffiti that vandalised popular works. Each jacket provided space for them to sign their names in protest. We chose 15 stores in Delhi which had a footfall of around 500 to 2000 customers. We were expecting around 18,000 to 25000 signatures.

Describe the creative solution to the brief/objective.

The existing spaces of bookstores, music shops and DVD rentals were ideal to provoke an instant reaction from students, scholars, poetry lovers, artistes, musicians and authors who frequented these stores. The vandalised jackets on popular works outraged them. They realised that to neglect the poet’s mansion was to abuse his life and work. Their rage prompted them to sign their names in protest on the space provided inside each jacket.

Results

Around 50,000 signatures were collected from stores that were part of the activity (twice the number expected). The signature campaign led to a candlelight vigil, on 27th December 2009. Each jacket had a map that led people to the mansion. Bloggers supported the cause online. A leading national daily, reported fresh incidents of disrespect to the heritage site, on its front page. The campaign achieved media publicity worth 330,000 USD (Rs. 15 million). The overall cost of the campaign was a mere 1300 USD. The public outcry compelled the government to renovate the heritage site.